Eye On The Sixties: Rowland Scherman

When I was working with Bob Korn to learn the rudiments of printing, Bob would take some time to show me what he was working on or to talk about some of the work that was on his wall. I was blown away by the photographs of ’60s music icons that Bob had up on the wall. It was work of Rowland Scherman. I like the photos of the Beatles at Shea Stadium but was stunned to recognize and realize that Rowland’s photograph of Bob Dylan was used for the Dylan Greatest hits album.

Chris Szwedo is now working on a documentary of Roland’s work and has a Kickstarter project to help with funding that is now nearing the last few days. Click here to find out more and contribute. Even if you aren’t interested in contributing I hope that you’ll check out a clip from the documentary below.

Getting Ready

It’s been crunch time here over the last week as we get into the last two weeks before the opening of the exhibition at the RMSP gallery. While a more sensible person would have outsourced the printing and framing of their work for an exhibition I wanted to do all of it myself so that I would have at least had the experience of doing it at least once. As it turned out I quite enjoyed the process, although it was indeed work.

Frames and mats came from American Frame. The UPS driver that comes to our house is now used to the weird and wonderful things that he has to deliver to us and so the 6 boxes of frames were no big deal.

I went with glass rather than plexi and sourced that from a local glazier. I also ended up having to get a full ink set for the 7900. Fortunately EP Levine is not too far away and all too easy to visit.

I had done a reasonable amount of printing on the 7900 with cut sheets but this was the first time that I had used roll paper in a serious way. For this exhibition I used Breathing Color’s Optica One that I stock piled when it was on sale earlier in the year. It’s a heavier paper and has a more neutral color than Epson Ultrasmooth that I had favored up to this point.

I don’t have a big layout table where I do the printing and so ended up co-opting the dining table for the framing work.

I was quite pleased with how the framed prints came out. I’m looking forward to having a couple of these on the walls here.

I used the same packaging that the frames came in to ship the framed images off to RMSP, although I did use blue painters tape to help reinforce the glass and hopefully hold the pieces together if it breaks. I don’t even want to think about that!

I’ll be posting more about the exhibition in the coming weeks. If you’re going to be in Missoula over the summer please do stop by and check out the exhibit. I’d be interested in your feedback.

In Service of the Print

‘Not every printer is a great photographer, every great photographer is a great printer’

Ansel Adams

I came across the quote attributed to Ansel Adams a couple of weeks ago and couldn’t help but wonder whether this is really true today. There have been seismic changes in photography and technology in the last 10 or so years – the shift to digital, decent cameras in most mobile phones, great tablet devices and on and on – that makes me wonder what was true when Ansel Adams made his comment is still true today.

How many people feel the need to print? Sure not people who are stock photographers. They deliver their content to the stock agencies digitally and it is further distributed digitally. Wedding photographers? Again another example of a group that are focused on high quality with high productivity, that would most likely today have some if not all content delivered digitally with the remaining photographs and associated wedding books printed by specialty print services. Editorial photographers, similar story – digital delivery to their editors.

Does this mean that these photographers are not ‘great’? Of course not. The successful photographers in these fields have exacting standards that when coupled with creativity and a capacity for hard work has been the foundation for their success.

So is Ansel’s comment still relevant today? I think so but we should modify it slightly – ‘Every great fine art photographer is a great printer’.

It’s never been easier to print your own photographs. Prices of really good ink jet prints have dropped precipitously and are well within the range of most serious amateurs. There are a huge range of ‘substrates’, papers and other specialty surfaces, available for printing. The standard printer drivers and paper profiles give good results without needing tweaking. Finally there are a tremendous range of resources available to help you along the way – George DeWolfe’s Book ‘George DeWolfe’s Digital Photography Fine Print Workshop‘ is one that I would particularly recommend. It’s quite possible then for us all to make good prints and with a commitment to the craft even some great ones.

3 Things I like About iPhoneography and a Couple I Don’t

1. My Camera is always with me.

There have been so many times when I wished I had a camera with me and regardless of how small the ‘pocket’ camera is I never have a pocket big enough. My iPhone goes everywhere with me.

2. I’m ‘playing’ more than I do with a DSLR.

Along with having the camera with me all the time I’m trying things that I would never have tried with a DLSR such as shooting from unusual angles and trying out different types of processing.

3. Lomo

I’d never heard of the Lomo LC-A camera before I started using the Lomo preset in PhotoToaster. Now I’m half seriously thinking about getting one. Until then I’ll keep trying out the Lomo preset on all of my color images.

… and a few things that I don’t

1. Small file size and consequently small prints.

Some of the iPhone photos I’ve taken in the last year I love but I also know that I will struggle to make big prints from them.

2. Apps that dump data and make small files even smaller.

I love the Hipstamatic app but what’s up with the tiny files?

3. iPhoneography?

Really? That’s the best we can do? How about we just say photography?

Add your voice to the conversation – leave me a comment.

Friday Inspiration: Charles Cramer

Charles Cramer is a master photographer and printer.  I think that his work is just stunning and so I was pleased to come across videos of Charlie describing his exhibition at the Center for Photographic Art: earth, water, light and also describing the dye transfer printing process.  The videos are shared below.

I’ve mentioned Charlie Cramer before in my post First Light Three Different Ways in which I mention Charlie as one of the photographers who contributed to the book First Light: Five Photographers Explore Yosemite’s Wilderness.

Friday Inspiration: Michael Torosian & Lumiere Press

My recent foray into the work of Paul Caponigro led me into a world that I’d thought a little bit about before, but hadn’t really immersed myself in.  That of the book as a fine art object.  The catalog for Paul Caponigro’s exhibition ‘The Hidden Presence of Places‘ has an essay that references ‘Paul Caponigro On Prior Lane: A Firefly’s Light: The Cushing Interviews Edited with an Introduction by Michael Torosian‘.  Michael Torosian owns and operates Lumiere Press, a publishing house for limited edition books on photography using letterpress printing.  To see a video interview with Michael Torosian click here.  If you have even the vaguest interest in letterpress printing you won’t be disappointed.

More about On Prior Lane can be found here.