I remember this evening distinctly – the end of a long day in November and just in time to catch the light. See what the un processed image looked like below.
Looking at my notes I was surprised to see that I have never included Michael Kenna in my Friday Inspiration series. His minimal landscape work resonates with me in a deep way. I enjoy the space that he provides the viewer for their own thoughts. The range of subjects that Kenna has photographed is quite impressive from minimalist Japanese winter landscapes to a power station in England to his daughter’s kindergarten classroom. Quite an inspiration.
I was excited a few years ago when I saw a short trailer for a documentary following Kenna as he photographed in Shinan in Korea. Yet I never was able to find the full length documentary until recently. Check out ‘A Letter From Shinan’ below.
I’m enjoying revisiting some my images and playing with them to learn more about Lightroom and Photoshop. See the image below to see where I stared.
I am filled with admiration for people like Joni Sternbach, who not only take a large format camera into the field but because she is using a wet-plate collodion process the photographic plates must be prepared and developed on location too.
The project that I’m most familiar with is – Surfland. It’s a project that was started ten years ago and has taken her to local surf spots on both coasts of the US, to Hawaii, Uruguay, Australia, France and England. It is a fascinating exploration of surf culture across the globe and well worth a deeper look.
Check out the short videos of Sternbach below.
I’ve enjoyed editing images on my phone over the last couple of years. The game I play on instagram is that I can only post images there that have been taken and edited with my phone. This is less impressive than it was say 5 years ago but I’m sticking with it.
The apps that I have on my phone for image editing generally push me out of the zone that I would be otherwise be in if I were editing the images on the computer. I’ve been wondering over the last couple of weeks whether I’ve really been exploring the full potential of my images with my conservative image editing and so I’m going to play and push a little. As Brian Eno says go to an extreme and retreat to a useable position.
The first image is above. One version in color and one in black and white. With do you prefer?
More to come!
Sally Mann is best known for her large format black and white photographs many of which, to me at least, have an experimental quality. She came to prominence with her work ‘Immediate Family’ which featured her three children, all of whom were under 10 at the time, playing at the family’s summer cabin. More recently her Memoir ‘Hold Still’ has brought her work to a whole new audience.
I’ve had Sally Mann’s book ‘A Thousand Crossings’ on my desk for the last year or so. The book is the catalog for the exhibition put together by Sarah Kennel of the Peabody Essex Museum and of the National Gallery of Art.
The exhibition and book follows Mann’s exploration of her relationship with her family, the land and her southern heritage in 5 major blocks of work – family, landscape, battlefields, legacy and mortality. There’s a great description of the work and her process on the getty site here.
I’ve been following Jack Lowe’s ‘The Lifeboat Station Project’ for a while through his instagram posts. I was excited when I saw that he’d photographed the lifeboat station of the little Yorkshire fishing village where I spent my summers.
The RNLI – The Royal Lifeboat Institution – is a 200 year old charity that saves lives around the coast of the UK and Republic of Ireland. That the RNLI is a charity and uses community volunteers really distinguishes it from services in other countries such as the US coastguard. The RNLI provides a vital service and is well worth supporting.
Jack is on a mission to photograph all 238 RNLI lifeboat stations in the UK and Republic of Ireland. That in itself would be a challenge but to make things more interesting Jack’s choice of medium is wet plate collodion. He’s making photographs on glass plates and developing them in the field using his mobile darkroom Neena, a refurbished ambulance. The culmination of the project will be a book and exhibition that will help the RNLI raise awareness for their mission and funds to support it. Check out how Jack’s project is progressing on his mission map page here.
Watch Jack in action below.