Friday Inspiration: Sal Taylor Kydd

Frog in the Hand

I’ve been enjoying looking at Sal Taylor Kydd’s photographs in the last couple of weeks. Her work really resonate with me. Home, family and nature are themes that are very present in Sal’s work, the importance of these to me has become heightened over the last year.

I was fortunate enough to get a copy of her book ‘Just When I Thought I had You’ that combines images of her children on Deer Isle with her poetry. In many ways it reminds me of how my kids spend their summers – outside in nature catching frogs and toads and doing all kinds of other fun stuff.

Take a look at the book in the video below.

I was interested to hear Sal’s description of her father, a chemist who collected vintage cameras. Perhaps it’s no surprise then that she is now playing in the darkroom and making platinum palladium prints of her work.

I was also drawn to the fact that Sal is making books as a way to complete her projects. These are either with small presses such as Datz in South Korea or hand made by Sal. I think the book is a perfect vehicle to complete projects and especially so for the intimate subjects that Sal has turned her camera towards.

Check out more of Sal Taylor Kidd’s work on her website here and hear her describe her work in the video below.

Dark of the Moon: A PDF, A Zine & A Chapbook

Dark of the Moon

I’ve enjoyed looking at chapbooks and zines over the last couple of weeks, especially as an alternative to ‘prints on the wall’ as a finished product. To begin exploring the practicality of this I thought I would pick a small set of images and make something.

I had been playing with my iPhone at night just to see what it was capable of doing in low light. Over the course of a couple of weeks – usually when I was taking out the trash cans – I made a series of images of the moon. I then wondered whether I could actually get a crisp image of the moon with my Sony A7RIII.

I pulled these together in a Lightroom catalog, picked the ones I liked the most and then started in.

I have also had ‘learn InDesign’ on my list of things to do, so this was an opportunity to do all of this at once.

I started simply by making the chapbook using square museo cards. These are double sided so it was easy enough to set up a print template in light room for the card and run them through for the front and back. It was a bit of a brain twister to make sure the the right image was in the right place, in the right orientation but I figured it out eventually.

Not everything went to plan!

I then moved on to the zine which I had decided I would make on regular photocopy paper using my laser jet printer. I made a project for this using InDesign and was able to relatively quickly assemble the images for printing. My laser jet printer has a duplex option which means it automatically prints on both sides of the paper. It did take me a while to get all the settings figured out and by a while I mean a lot of paper! I finally realized what the issue was and got the zine printed.

Finished zine printed on photocopy paper

For binding, the zine was stapled using a long reach stapler – what a cool toy that is! – and the chapbook was sewn using the three hole pamphlet stitch. I was happy with how they came out.

Take a look in the video below.

Finally using the InDesign file I made a pdf of this project – check it out here.

I was quite happy with how this came together. I still have a lot to learn but have a number of ideas for other mini-projects that I could do in a similar way which will build into something a little more substantial.

Final Chapbooks and Zines

Chapbooks As A Vehicle for Your Photography

Time to finish the thought about zines and chapbooks this week.

I had never heard about chapbooks until I came across them through Brooks Jensen. Chapbooks have a long history as a way for artists to self publish smaller bodies of work. This seems to mostly have been a way for poets to get their foot in the publishing door and to pave the way for publication of a larger collection.

With the advent of inkjet printers we photographers can get into the game too! I had said previously that for me the real difference between a pamphlet, zine and chapbook is really the production value. With a chapbook being at the top of the heap, requiring more hand work – i.e. sewing of the signature than a zine which I would typically expect to be stapled.

I have included below a flip through of a Brooks Jensen chapbook ‘Worlds Within Worlds’ which I think illustrates the chapbook concept nicely.

I really do like this idea of small handmade books as a way to get my photography out into the world and will be exploring these more in the coming weeks.

Friday Inspiration: Peter Dombrovskis

I love hearing who inspired you as a photographer. Not only does it provide insight into who you are as a photographer but also provides me with a jumping off point for a new exploration. I can then share the results of that exploration here.

Peter Dombrovskis was one such photographer that I heard about during an interview with Joe Cornish. Down the rabbit hole I went.

Peter Dombrovskis was an Australian photographer most well known for his photographs of Tasmania. His photographs of the Tasmanian wilderness were instrumental in conservation efforts, most notable was his contribution to the campaign to prevent the damming of the Franklin river.

Looking to dig into Peter’s work I was keen to get a hold of some of his photobooks. They are hard to find and often very expense. Perhaps because of his geographic location there isn’t a big pool of his books on the used market here in the US. Fortunately there is a relatively recent book of his work ‘Journeys into the Wild’ that can be be found with a bit of effort. I ordered a copy and had it shipped from Australia. It arrived a little battered but I’m pleased that I was able to get a copy. Take a look at the book in the video below.

I very much enjoyed hearing Joe Cornish talking about Peter Dombrovskis’s work – take a look below. To learn more about Peter please visit his website here and also see the article at On Landscape here.