I often fall into the trap, as I suppose many people do, of being generally dissatisfied with the work that I’m producing. I make images that I like just often enough to keep me engaged but it can be tough to keep going especially when we’re surrounded by an onslaught of great work on social media.
The guitar teacher Tomo Fujita tells his students ‘Be Kind to Yourself, Don’t Compare, Don’t Expect Too Fast, and Don’t Worry.’ Good advice for anyone whether they are trying to learn a new skill or to be creative.
The other advice that I turn to when I’m struggling is what Ira Glass said about ‘The Gap’ (see video 3 below). He’s describing the difference between what you know is good and want to be able to do and what you’re currently able to achieve.
Check out the illustrated video below.
The solution of course is to do a lot of work. Bang it out even if you don’t feel like it. Just keep going. You will get better, you will evolve and you will close the gap.
Checkout the full interview ‘Ira Glass on Storytelling’ in the following videos. This should be required viewing for anyone in the creative arts.
I am an unabashed striver – I want to continue to learn and grow in everything that I do. I am continually looking for ways that I can push myself and my work forward. I’m finding that one effective tool for this is my notebook.
As I said here I have multiple notebooks that I use for different purposes. Perhaps the most important notebook is the one that I carry around with me which is the notebooks I have in the Paper Republic Grand Voyager Pocket. This notebook allows me to capture ideas in the moment, to note the things that catch my attention and could be useful later.
My notebook is a ‘sandbox’ where I can play – develop ideas, ask questions and generally go down rabbit holes. It is a place where I can reflect on the photographs that I’ve been making, the things that I’m noticing and the choices that I’m making. Are there connections that I didn’t recognize in the moment that with some time and space become apparent?
It’s a place where I can make notes on some of the composition and post-processing experiments I’m trying. This week for instance I’m trying out split toning again and also playing with using tree branches to frame subjects. One example is shown below.
My knowledge is fragile in these early stages and if I don’t write things down I am likely to have forgotten what I was trying when I look at the work later. The very act of writing, physically using a pen on paper also helps me to remember more effectively.
My notebook is also a good place for me to write about the other photographers and artists that I’m paying attention to and what lessons I’m drawing from their work. How can I apply these to my own work?
This is not an onerous process that takes ages – just a few minutes reflection when I have the time. More if I have more to say and the time to say it in.
I hope you are capturing your process and having fun doing it. I’d be interested in hearing about how you use your notebooks to develop ideas and projects.