I am fascinated with the idea of how time can be represented in a still image. I return time and time again to David Hockney on this subject and recently came across a video that I hadn’t previously seen of him talking about this topic and thought that I’d share it here.
I recently came across the work of Josep Pla-Narbona – a graphic designer, painter and sculpturer. Born in Barcelona, Spain, in 1928, he worked with advertising agencies early in his career producing work such as the advertising poster above. Many of his posters from this time remind me of some of the board books that we read to the kids when they were younger. In the second part of his career his focus has been on engraving, painting, drawing and sculpture.
I found the video below first and enjoyed Josep’s playfulness and thought that he was worth looking into further. Check out the video below (you may need to turn the subtitles on !) and learn more about his work here.
I have enjoyed Robert Adams’ writing about photography immensely. ‘Why People Photograph‘ and ‘Beauty in Photography‘ contain a series of short essays covering topics such as collectors, humor, teaching, money and dogs and discussions of Photographers such as Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Dorothea Lange, Ansel Adams, and Minor White. His recent book ‘Art Can Help‘ continues in a similar vein and is well worth picking up.
As a photographer however he’s someone that I feel I should like but his photographs just don’t move me. It was interesting then to come across the two videos below and listen to him talk about what he’s trying to achieve with his work.
Check out the videos below and tell me what you think.
When I first came across Tokihiro’s photographs I was fascinated. A representative image is above – points of light or strings of light in the landscape. He calls these photographs ‘breath-graphs’ or photo-respiration with the points of light or lines representing his movement through the landscape.
From a technical perspective how did he do it? He uses a large format film camera to make long exposures – while the shutter is open Tokihiro uses a small mirror to shine a point of light on the lens and then moves and repeats the process. The videos below give some additional insight to the technique that Tokihiro uses.
I’ve been taking a deeper dive into the guitar again in recent months and have enjoyed the unabashed geekery from the ‘That Pedal Show‘ guys. I’ve also learned a lot over the course of the many episodes of the show that I’ve watched, although I don’t have the ears that Mick and Dan have to discern the nuance in the various amps and pedals that they discuss.
I wanted to share this particular episode with Ed O’Brien one of the guitarists from Radiohead because I really enjoy listening to creative people at the top of their game talk about their process. There are many parallels between the various creative arts that I think that we can learn from and apply to our work some of the ideas from other disciplines.
If you’re not interested in the guitar stuff skip ahead to 17:17 which is about where Ed starts talking about his process.
I am filled with admiration for people like Joni Sternbach, who not only take a large format camera into the field but because she is using a wet-plate collodion process the photographic plates must be prepared and developed on location too.
The project that I’m most familiar with is – Surfland. It’s a project that was started ten years ago and has taken her to local surf spots on both coasts of the US, to Hawaii, Uruguay, Australia, France and England. It is a fascinating exploration of surf culture across the globe and well worth a deeper look.
Check out the short videos of Sternbach below.
The image above is from Ellie Davies ‘Stars’ portfolio created by combining images of the forests of southern England with Hubble telescope images. For many forests are magical fairytale places for others, myself included, they are dark and scary places. Yet I find the Stars series of images compelling, they draw me in, make me want to step forward and cause me to look closer.
I have been thinking about how a single theme can be developed and extended – Ellie’s projects are a great case study. Silent, Deep and Dark serves as an entry point, both literally and figuratively, into the forests. This body of work explores the forest boundaries – the edge between outside and inside, light and dark. From here Ellie begins to interact with the forest, weaving patterns with wool, highlighting pathways with paint, powder, wool and paper, building structures that are reminiscent of barnacles or anemones, incorporating stars and most recently suggesting the presence of people by the introduction of fires.
Watch and listen to Ellie describe here work below and find out more about here.
I had been looking at some Michael Kenna images over the last weekend and in looking at his moonrise image came across Barbara Bosworth’s image from her new book ‘The Heavens’. I was intrigued enough to dig a little deeper.
Heavens is a photographic celebration of the not just the night sky but the moon, the heavens (stars) and sun. I enjoyed looking at the pictures of the moon and stars. They reminded me of looking at the stars with my dad on the walk home from my grans house as a child. I’m always interested in how photography can show us things that we wouldn’t otherwise see or allow us to experience in a different way. The image above is one example, there are others in the book including photographs of sun spots which I found fascinating. The
I am always keen to seen behind the curtain to get a sense of the creative process and I was not disappointed in this regard either. The appendix includes ephemera that went into supporting the project – books, a planisphere and copies of Barbara’s darkroom notebook pages relevant to her work on images that went into the book.
Listen to Barbara discuss one of her earlier projects ‘Birds and other Angels’ below.
After running through a string a contemporary landscape photographers in recent weeks I could help but recognize that all of these were guys which made me wonder who were the women active in this genre. It was then that I remembered the fabulous book by Victoria Sambunaris, ‘Taxonomy of a Landscape‘ that I had recently came across. The book documents a decade long exploration of the American landscape and our place in it. In fact it’s two books, the companion volume collects the associated research materials and other bits and pieces that Sambunaris accumulated during the course of the project. A fascinating behind the scenes look into her process.
For more information on Sambunaris and her projects check out the video here and the embeded video below.
I am continuing to enjoy hopscotching through ‘contemporary’ photographers, spending some time in the last week looking at the work of Richard Misrach. Until recently my exposure to Misrach’s work had been the image above and few others in this series. This series of images are striking but I didn’t dig deeper into the origins of this work something which Misrach gets into in the video below.
I have yet to deeply explore the work that Misrach is perhaps most well know for – his on-going project called ‘Desert Cantos’, photographs of the deserts of the american west – spending more time looking at his work associated with hurricane Katrina and of what he calls ‘cancer alley’. These two projects resulted in the books ‘Destroy this memory‘ and ‘Petrochemical America‘.
While it could be argued that all of his work deals with man’s rather complex relationship with the environment the Petrochemical America project really struck home for me. Will we ever put long term sustainability before short term gains? I’m going to continue digging into Misrach’s work. For now watch Richard Misrach talk about his work in the videos below.