Hugh MacLeod‘s third book Freedom Is Blogging in Your Underwear arrived at my house earlier this week and reminded me all over again why I love Hugh’s work. He mixes quirky cartoons with very pithy commentary that cuts to the heart of the issue. It’s very cool. The balance of text to cartoons in Freedom is biased towards cartoons, which makes it very easy to dip in and out of, or to go through at once, which is what I did.
Regardless of whether you live in an area that people would travel to because of it’s natural beauty, or whether you live in an area that people feel they need to leave to experience natural beauty there are images to be made. The skill that we need to learn is to see them. This is something that takes practice. Freeman Patterson’s book ‘Photography and the Art of Seeing‘ is a great place to start. A new edition just came out – it’s exceptional and should find a home on every photographer’s shelf.
Learning to see the possibilities around you means carrying a camera around with you and using it every day. For me there are days when that’s not an issue at all and then those other days when I’m running to stay in one place, not so easy. But I keep trying.
I’m finding with the iPhone that I enjoy the exploration of image after taking it, at least as much as taking it in the first place. The image above was taken while I was waiting for my son to be released from school the other day. I played with it in photoforge and phototoaster.
I was very excited to find my copy of Bruce Percy‘s new book hanging from my mail box when I got home on Wednesday. Bruce’s book is a collection of 40 of his images that cover both his landscape and portraiture work, one image per page with an accompanying page of text. I suspect that the title is a nod to Galen Rowell and Bruce acknowledge’s in his introduction that the format is a nod to Ansel Adam’s book ‘Examples: The making of 40 images‘. The foreword is written by Michael Kenna another of Bruce’s influences.
I’ve been a big fan of Bruce’s photography for quite a while, although I associate him more with landscape photography than portrait work so the mix in the book is curious choice for me. I find the photographs of Scotland particularly intriguing – perhaps the familiarity of being of being at home allows Bruce to push beyond the obvious pretty landscape and try for something that is less of a record of the scene and more a record of what he felt. If there are any images where he is channelling Michael Kenna it is these, but that’s not to say that these are Kennaesque copies. Rather, they use the recognition and inspiration from Kenna’s work that the camera need not faithfully record the scene but can effectively capture your response to the scene. It’s a great book, one that I’m going to enjoy going through in much more detail.
You can find ‘Art of Adventure’ for sale here. Well worth adding to your collection.
I end up buying a lot of books, some I find more interesting and useful than others. The difficulty that I have is knowing what level the book is pitched towards. Books about photographing kids can be a real mixed bag. I have found a few that I liked. Nick Kelsh‘s book ‘How to Photograph Your Baby: Revised Edition‘ is interesting. Not f stops and shutter speeds but more what it takes to get a good shot of your kids. Working through some of the ideas had a significant impact on the quality of the photos of my kids. Well worth a look.
My recent purchase was Photographing Childhood by Lanola Kathleen Stone. I regretted the purchase as soon as I’d clicked buy on the amazon.com site. What was I thinking? I take a lot of photos of my kids but I’m happy enough with what I’m getting that I don’t feel a need to pursue this hard. I was blown away when Photographing Childhood showed up on my doorstep a few days later and I began flipping through it. The book covers a lot of ground, beginning worth a historical tour through some of the masters who’ve shot children and then onto the only chapter that deals with technical issues ‘Tools of the Trade’ which discusses light more than it does f stops and shutter speeds (awesome!) before hitting ‘A Timeline of Childhood’, a tour through some contemporary photographers and dealing with issues of file storage. If you only read the the chapters dealing with the historical and contemporary photographers you’d be ahead of the game. Buried in this section is a primer on how to view new images and a list of questions to run through as your doing so – for me this was worth the price of admission. Even if your primary focus is not shooting kids this is a great book to have on your shelf. Go get it!
I spend a lot of time traveling around Boston using the underground system which is locally referred to as ‘The T’. Even though I’d traveled around for years on the T it was only since my obsession with grungy iPhone photos kicked in that it occurred to me that there were some potential images to be made while waiting for the train. Initially I considered these to be sketches of what I might be able to do with my ‘real’ camera. Even so I quite like what I’ve been able to do so far and will continue to push the idea forward.
Lumiere Press are celebrating their 25 th anniversary with the release of STEICHEN: Eduard et Voulangis . As I’m sure you’re all well aware Eduard Steichen was an American photographer, painter, and art gallery and museum curator. Amongst other things Steichen was the first fashion photographer and the curator responsible for the family of man exhibition at the MoMA: An exhibit of 508 photos by 273 photographers in 68 countries were selected from almost 2 million pictures submitted by famous and unknown photographers.
STEICHEN: Eduard et Voulangis focuses on the period of Steichen’s life just after the first world war when he spent time in his home village of Voulangis, just outside of Paris, experimenting and developing as an artist. The volume pairs a very early portfolio of the early modernist work of Eduard Steichen, with an essay from Michael Torosian that charts the path of Steichen’s early development as an artist, his ascent in the orbits of Paris and New York and the confluence of cultural, aesthetic and personal events that dramatically forged his work as a photographer. My copy arrived just before I headed off for a trip to Europe and I’m looking forward to chance to dig into when I return home.
One of the first things I do with any book of this type us to scan through to find the sections that look like they would offer immediate value. One such section is seeing differently. I was surprised to find that this short section was almost entirely devoted to a case study from one of my friends and mentors, Cary Wolinsky. Michael’s interview with Cary that includes the case study can be found here. I’m still working through the book but it looks like it will be a valuable addition to the photographers bookshelf, particularly the one who us interested in further developing visual literacy and the language to go along with it.
Check out the videos below to hear Michael discussing professional photography and his books.