Friday Inspiration: Rachael Talibart

I must have been living under a rock to only recently have found Rachael Talibart’s seascape work. She is perhaps best know for her Sirens photos, a series of storm waves named after mythological beings. A book of the same name was published by Triplekite Books in 2018. As an aside I can’t believe I missed this book since I thought I had all of the books that Triplekite had published. I found her work through the recently published book, Tides and Tempests, that further explores her interest in storm waves but also the coast in general.

It sounds like Rachael has had a lifelong relationship with the sea having grown up on the South Coast of England, spending time as a child on the family sailboat. She describes herself as a poor swimmer and a poor sailor who is happier and safer viewing the ocean from the shore. Reading between the lines in the introductory essay to Tides and Tempests it sounds like she had lots of ‘fun’ on the sailboat as a child. These episodes really do shape your life both as an adult and as a child, either pushing you away or drawing you in. Personally I’m glad that she is drawn towards the ocean and chooses to capture the majesty, power and potential that the ocean offers. Check out more of Rachael’s work on her website here.

Also check out the videos that Rachel put together below. Scroll all the way to the bottom to hear Rachel talk about her work and her process.

Check out the mini-documentary/interview with Rachel that Sean Tucker put together below. Sean is worth a ‘Friday Inspiration’ slot of his own. Until then check out his YouTube channel here.

Our Daily Bread

In the spirit of picking up old interests I’ve been making a lot of bread over the last few weeks. Starting with the tried and true recipes in Ken Forkish’s excellent book – Flour, Water, Salt Yeast. The picture from last week was his Overnight Loaf. When I was making this bread regularly it would stick to the cloths in the proofing baskets and generally would be a nightmare for me to deal with. However picking things up again the recipe was easy to follow – no ambiguity – and I had no problem with getting the bread out of the baskets.

With that success under my belt I decided to try the signature loaf in the Poilane book I recently came across. Poilane is of course a marquee name in the bread world. The recipe was a little more involved than others I’d made – requiring a natural yeast starter and also makes a substantially larger single loaf. Going through the planning I realized that I didn’t have a proofing basked large enough nor did I have a Dutch Oven large enough. In all honesty who would? The loaf is ~ 3 times larger than the ‘normal’ home loaf size. I had things that were close enough though so off we went. It was frustrating to not have a good sense of what I was aiming at and I ended up disappointing the in house food critics. Scaling the recipe back gave better results but was still not the wow expected by the local critics.

With a natural starter bubbling in the corner I thought I would try out a final recipe, this time from ‘The Baker’s Year’ by Tara Jensen. When I mixed up the dough it was very wet, a bit tricky to handle and the timings proposed in the margin completely misleading. I should have realized that I would be in for a bumpy ride when the instructions for mixing up the leaven – a foundational recipe for any bread book – were corrected in the form of errata stuck in the front of the book. Oops! Nevertheless I persevered, leveraging the understanding from working through the Forkish recipes many times and also the Tartine bread recipe which is similar. If a dough was going to stick to the cloth in the proofing basket it would be a wet dough like this one – nope, not at all. Came out of the proofing basket nicely, into the cast iron Dutch oven and baked beautifully as you can see at the top of the page.

What if anything you may well ask does this have to do with photography. Well not much if I’m being honest but it did make me think about how I had retained the bread making skills from 3 or 4 years ago. Not only that but some of the things that had been a struggle now seem relatively straight forward. As I re-engage with photography I’m hoping that I will at least have retained a foundational set of skills. It will be interesting to see how the passage of time has changed my thinking and perspective as I get behind the camera more frequently.

Stuck at Home

While I’m thinking about the subject of photographing close to home I thought I would share a couple of book recommendations.

I’ve talked about photography close to home before – remarkably in 2011, where does the time go. Then I was talking about a recently published eBook by Stuart Sipahgil ‘Close to Home’. Sadly it’s no longer produced by Craft & Vision but you can find it here at least for a little while. Well worth a look.

The other book that I was looking at, and the one that I think of when I think of photography at home, is ‘Home Photography’ by Andrew Sanderson. Andrew is a UK based photographer who found himself tethered to home as he and his wife navigated raising their young family. Picking up on the Home Photography theme again during lockdown in the UK Andrew Stuck at Home Photography. There are lots of ideas in the book (and blog) for how to shoot in and around your home that I will be digging into more deeply in the coming months. I’ll share the results here and also on Instagram. Send me a link to what you’ve been doing while Stuck at Home.

Friday Inspiration: Barbara Bosworth – The Heavens

I had been looking at some Michael Kenna images over the last weekend and in looking at his moonrise image came across Barbara Bosworth’s image from her new book ‘The Heavens’. I was intrigued enough to dig a little deeper.

Heavens is a photographic celebration of the not just the night sky but the moon, the heavens (stars) and sun. I enjoyed looking at the pictures of the moon and stars. They reminded me of looking at the stars with my dad on the walk home from my grans house as a child. I’m always interested in how photography can show us things that we wouldn’t otherwise see or allow us to experience in a different way. The image above is one example, there are others in the book including photographs of sun spots which I found fascinating. The

I am always keen to seen behind the curtain to get a sense of the creative process and I was not disappointed in this regard either. The appendix includes ephemera that went into supporting the project – books, a planisphere and copies of Barbara’s darkroom notebook pages relevant to her work on images that went into the book.

The Heavens portfolio can be found on her website here and you can find out more about Barbara here.

Listen to Barbara discuss one of her earlier projects ‘Birds and other Angels’ below.


Friday Inspiration: Stephen Shore

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I’m continuing to dig deeper into the work of some of the photographers that were part of the New Topographics exhibition curated by William Jenkins in 1975. These were a group of photographers working to find ‘beauty in the banal’, making ‘photographs of a man-altered landscape’. In many ways it’s easy to dismiss this work as having a ‘snap-shot’ aesthetic and for some of this work I really struggle to connect with it. This week’s project has been Stephen Shore. If you read his biography one of the first things that is pointed out is that he sold his first photographs at age 14 to Alfred Steiglitz and that at 24 was only the second living photographer to have a solo show at the MoMA.

His work in the New Topographics exhibition was in color whereas the other 7 photographers were shooting in black and white. It’s interesting to reflect on the fact that at that time in the early ’70’s shooting in color was not what you did if you wanted to be taken seriously as an artist. Color was okay for magazines but not for ‘art’. Perhaps this further adds to the sense of these photographs being snapshots. In looking over this work and some of the subsequent work that arose out of these early projects I can’t help but think that this would be a great instagram feed and indeed you can find Stephen Shore on Instagram although I was surprised to find that I don’t connect with these photographs in the way that I do with the images in his books.

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I often feel like I’m missing the joke when I look at contemporary photography and so it’s been useful for me to listen to Shore talk about his work in the videos below and lift the veil, at least a little.

Stephen Shore American Surfaces from Spike Productions on Vimeo.

Stephen Shore Uncommon Places from Spike Productions on Vimeo.

Stephen Shore in Conversation with Peter Schjeldahl from Aperture Foundation on Vimeo.

Being Creative Means Making

Sometimes I catch myself and otherwise others give me a helpful prod but if you’re going to use the ‘creative’ moniker then that means, or at least should mean, actually making things rather than thinking and talking about the creative act. I’ll give you that pushing the button and making the image could be the creative act but for me the end product of creative has to be some tangible thing. To keep my feet to this fire I have been using my iPhone more than ever before to play and make images. I’m pairing these experiments with Artifact Uprising’s printing service to make little prints and now books all without leaving the iOS environment.

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I was very happy with my little book part one of what I hope will be a four part series, one book of images per quarter, and perhaps a ‘greatest hits’ compilation at the end of the year. And perhaps I will pair the images with a collection of essays that describe the journeys and experiences and maybe make a slipcase to put them all in and, and, you know how it goes. I have to remind myself one step at a time. Small doable chunks.

Around the same time I got my little book I got Magda Biernat’s little book ‘Adrift’. Biernat’s project Adrift begins a dialog about climate change in the pairing of images of icebergs in antarctica with abandoned hunting cabins of the Iñupiat eskimos in the Arctic. The natural and the man made are both adrift in increasing numbers as the poles warm, causing more icebergs to be cast off and the hunting cabins to be abandoned as the animals the subsistence hunters pursue either dwindle in number or their migration patterns change.

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What blows me away about the book is how creatively well done it is. There are a number of ‘what if’s’: What if we prepare the book as if it were a Japanese accordion book? What if we have the accompanying essays bound as a separate text block. What if the book opens on the horizontal, bottom to top, rather than the vertical right to left? All of which work and all of which serve to draw me in further.

It’s worth keeping these things in mind when you’re working on your own book projects, perhaps using templates from some of the big on demand publishing services, that you’re getting locking into a standard format. How can you work within that box and yet break it so that you have something that better serves the work and that is uniquely your own. Daniel Milnor photographer at large for Blurb continually is pushing at the edges of what is possible with the Blurb format and is well worth paying attention to as you think about developing your own projects.

Friday Inspiration: Todd Hido

Todd Hido‘s name penetrated my consciousness at some point along the way and so when his name came up again yesterday I thought it was time to finally find out more about him. I’m probably most familiar with Todd through his books that Nazraeli Press have published. His work seems to have focused on the American Landscape – interiors of vacant buildings and night shots of homes – that remind him of his childhood in Ohio. Check out the videos below to hear Todd discussing his work.

Book Module in Lightroom 4 Beta

There has been a good bit of fanfare surrounding the release of the beta version of Lightroom 4. One of the new features that caught my eye was the integration of a variant of Blurb’s booksmart software, making it possible to layout and then send to Blurb for production a book of your photographs. As someone interested in delivering my photographs to the world not just as prints but in the form of books this is a very cool development. While I frankly would have preferred the book module to be a generic layout tool not tied to any single book producer, perhaps pulling key features from Adobe’s In Design product, Blurb has a tremendous range of products that surely suits the needs of most, if not all, people interested in having a book of their photographs.

Check out the tutorials from the excellent Julieanne Kost below.

My 2012 To Do List

Happy New Year!

I’ve had an extended break from blogging in a vain attempt to catch-up with all of my other responsibilities and draws on my time. I’m not fully caught up but I’m back.

I know a lot of people look forward to the new year with a list of resolutions. I do something similar to that too, although my list is usually a combination of the pragmatic and the impossible. Things that I absolutely need to get done and things that only in my wildest dreams would come true. Usually there’s not a lot of stuff in the middle. In no particular order here are a few of the things from my list:

1. Publish a book of my photographs

It is becoming easier and easier to self-publish. The recent announcement of the Beta version of Lightroom 4 includes integration for Blurb. One can only imagine that a raft of self-published photobooks will ensue. Makes me think that if everyone’s going to be doing it then I’ve missed the boat but then I could say the same thing about photography too!

2. Complete the planning for a trip to Shikoku in early 2012

Shikoku sounds like an interesting place to visit. A little off the tourist path but there is a well known pilgrimage around the 88 temples here. There was an interesting article in the National Geographic Traveller about the island. Check it out here: http://travel.nationalgeographic.com/travel/countries/shikoku-japan-traveler/

3. Learn Japanese in anticipation of my Japan trip

While languages are certainly not my forte Shikoku appears to be far enough off the regular visitor trail that some Japanese could come in handy. The Rosetta Stone language immersion program looks like it would be a good way for me to get started.

4. Complete preparation for the show at RMSP gallery

An exhibition of my photographs will be up at the Rocky Mountain School of Photography gallery for 3 months starting the first week in May. Very excited about that. Please stop by and say hello if you’re in Missoula the first Friday in May.

5. Live more sustainably

I’m not much of a tree hugger but when I see things such as the albatrosses that Chris Jordan shows with his work it makes me want to be more conscious of the things I buy and how I get rid of it. Quality over quantity has to be a good thing.

Still on the sustainable living theme – the image below is taken from Azby Brown’s book ‘Just Enough Japan’ which is a look at how the Japanese in the 1600’s facing a lot of the same problems that we face to day dealt with them. Very interesting reading.

Book Comment: Photographing Childhood

I end up buying a lot of books, some I find more interesting and useful than others. The difficulty that I have is knowing what level the book is pitched towards. Books about photographing kids can be a real mixed bag. I have found a few that I liked. Nick Kelsh‘s book ‘How to Photograph Your Baby: Revised Edition‘ is interesting. Not f stops and shutter speeds but more what it takes to get a good shot of your kids. Working through some of the ideas had a significant impact on the quality of the photos of my kids. Well worth a look.

My recent purchase was Photographing Childhood by Lanola Kathleen Stone. I regretted the purchase as soon as I’d clicked buy on the amazon.com site. What was I thinking? I take a lot of photos of my kids but I’m happy enough with what I’m getting that I don’t feel a need to pursue this hard. I was blown away when Photographing Childhood showed up on my doorstep a few days later and I began flipping through it. The book covers a lot of ground, beginning worth a historical tour through some of the masters who’ve shot children and then onto the only chapter that deals with technical issues ‘Tools of the Trade’ which discusses light more than it does f stops and shutter speeds (awesome!) before hitting ‘A Timeline of Childhood’, a tour through some contemporary photographers and dealing with issues of file storage. If you only read the the chapters dealing with the historical and contemporary photographers you’d be ahead of the game. Buried in this section is a primer on how to view new images and a list of questions to run through as your doing so – for me this was worth the price of admission. Even if your primary focus is not shooting kids this is a great book to have on your shelf. Go get it!