Looking at my notes I was surprised to see that I have never included Michael Kenna in my Friday Inspiration series. His minimal landscape work resonates with me in a deep way. I enjoy the space that he provides the viewer for their own thoughts. The range of subjects that Kenna has photographed is quite impressive from minimalist Japanese winter landscapes to a power station in England to his daughter’s kindergarten classroom. Quite an inspiration.
I was excited a few years ago when I saw a short trailer for a documentary following Kenna as he photographed in Shinan in Korea. Yet I never was able to find the full length documentary until recently. Check out ‘A Letter From Shinan’ below.
I am filled with admiration for people like Joni Sternbach, who not only take a large format camera into the field but because she is using a wet-plate collodion process the photographic plates must be prepared and developed on location too.
The project that I’m most familiar with is – Surfland. It’s a project that was started ten years ago and has taken her to local surf spots on both coasts of the US, to Hawaii, Uruguay, Australia, France and England. It is a fascinating exploration of surf culture across the globe and well worth a deeper look.
Check out the Surfland project on Sternbach’s website here. There are also a couple of books associated with the project that can be found on her website here or from amazon.
I will continue to add photos to the existing portfolios on the site and add new portfolios as I finish photos. I’m working through my archives and editing photographs with a fresh perspective and new tools.
I have been thinking about a framework that I can use as scaffolding for my on-going and future projects. In other areas of my life I have found that having a flexible road map for what you’re working on to be enormously helpful in actually getting projects out of the door. As part of this process I have been deconstructing some of the basic assumptions that have served me well up to now and trying to reassemble them. Unfortunately I have parts left over which means either I’ve found a better way or broken something.
I started with vision, which I had interpreted as the way that you see the world. Looking at a dictionary definition of vision I found that vision was described as:
the faculty or state of being able to see.
the ability to think about or plan the future with imagination or wisdom.
mental image of what the future will or could be like.
Or to put it another way vision is the change that you want to cause to happen. For instance it could be telling the story and raising awareness of a disenfranchised group of society, shining a spotlight on the growing crisis of climate change, or mobilizing people to stop using the ocean as a dumping ground.
Vision therefore is not really unique, I know there are many others that are concerned about the state of the oceans and share the vision of clean oceans that will be able to support a diverse population of marine life. How you express that vision and work to effect change most certainly could, and should be, if you draw on and incorporate the experiences that have shaped you.
In my stumble through contemporary landscape photographers I recently found Alec Soth, and particularly his recent photo book ‘Songbook‘ in which he is exploring physical social interactions in a world of social media.
I’m still digging into the rich world of Alec Soth, there’s lots to go at! His self published book ‘Sleeping by the Mississippi‘ caught the attention of the curators of the Whitney Biennial in 2004 and his inclusion in the exhibition launched him on a larger stage. The image above from his ‘Sleeping by the Mississippi’ project was used for the poster for the exhibit. He became a nominee of the Magnum Photos agency in 2004 and a full member in 2008. Since his first book in 2004 he has produced over 20 others, including Songbook, and a number in collaboration with writer Brad Zellar. He founded the publishing company Little Brown Mushroom in 2008 to publish his own books and those of others interested in a similar narrative approach to telling visual stories. A very busy guy!
See Alec talk more about his work in the videos below.
It’s starting to feel as though Winter is finally receeding in my neck of the woods. I still have snow in the garden but it’s less and less every day. How about you?
I feel as though I ought to have been out to photograph while we had all the snow and certainly now that the weather is getting better I should be getting out but I’m not. It’s all too easy to stay in bed for an extra hour or to have dinner with the family rather than making the extra effort to get out with the camera. Getting back into the routine of taking time one morning a week to get out with the camera when I’m at home is taking some doing. I’m trying though.
I’ve had my eye on this little stream for a while now with the idea that I would photograph it when there was more water in it. With the recent snow melt the water flow has gone from a trickle to a torrent in a very short space of time. Increasingly I felt that if I didn’t photograph it now I would have a long wait and so I got out with the camera at the end of last week and had a fun hour or two poking around.
Originally I had thought that I would like the reds in the weeds at the top of the image but when I got the image into lightroom didn’t really love it (the color version is below) and so made the switch to black and white. This is still a work in progress, the first stopping point before I reevaluate and decide where to take it next.
As always, thoughts and comments more than welcome.
I first came across Robert Adams when I was looking for the answer to the question ‘why do people photograph’ and found his book ‘Why People Photograph‘ and then later I came across his book ‘Beauty in Photography‘. These small books are collections of essays covering topics such as collectors, humor, teaching, money and dogs and discussions of Photographers such as Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Dorothea Lange, Ansel Adams, and Minor White. I have enjoyed reading these books and get something new out of them as I reread them with a deepening understanding of photography as an art.
Why People Photograph must have been on my bookshelf for almost as long as I’ve been taking photographs, almost 10 years now, and yet it was only last year that I realized that Robert Adams can not only write but he is a well know photographer too! How many other holes in my appreciation of the history of photography could you drive a truck through?
I’m at my beginning of my exploration of his work, and I’m doing so by starting with his most recent projects first. Photographs taken around his home near the Oregon coast of the forests, coastline and meadows, very different subjects to the photographs of the American west increasingly spoiled by the urban sprawl that brought him to prominence. This work can be found in ‘The New West‘ a new edition of which will come out in the summer.