Friday Inspiration: Michael Kenna

Looking at my notes I was surprised to see that I have never included Michael Kenna in my Friday Inspiration series. His minimal landscape work resonates with me in a deep way. I enjoy the space that he provides the viewer for their own thoughts. The range of subjects that Kenna has photographed is quite impressive from minimalist Japanese winter landscapes to a power station in England to his daughter’s kindergarten classroom. Quite an inspiration.

I was excited a few years ago when I saw a short trailer for a documentary following Kenna as he photographed in Shinan in Korea. Yet I never was able to find the full length documentary until recently. Check out ‘A Letter From Shinan’ below.

Friday Inspiration: Joni Sternbach

I am filled with admiration for people like Joni Sternbach, who not only take a large format camera into the field but because she is using a wet-plate collodion process the photographic plates must be prepared and developed on location too.

The project that I’m most familiar with is – Surfland. It’s a project that was started ten years ago and has taken her to local surf spots on both coasts of the US, to Hawaii, Uruguay, Australia, France and England. It is a fascinating exploration of surf culture across the globe and well worth a deeper look.

Check out the Surfland project on Sternbach’s website here. There are also a couple of books associated with the project that can be found on her website here or from amazon.

Check out the short videos of Sternbach below.

Back After a Break

Well that was a longer interlude than I had expected!

I’m quite literally blowing the dust off things around here as I get back into the swing of things. I’ve got a lot of things still to do as I turn the lights back on.

I have just put up a new website that I hope you will check out: www.andrewnixonphoto.com.

I will continue to add photos to the existing portfolios on the site and add new portfolios as I finish photos. I’m working through my archives and editing photographs with a fresh perspective and new tools.

More to come…

Deconstructing Vision

I have been thinking about a framework that I can use as scaffolding for my on-going and future projects.  In other areas of my life I have found that having a flexible road map for what you’re working on to be enormously helpful in actually getting projects out of the door.  As part of this process I have been deconstructing some of the basic assumptions that have served me well up to now and trying to reassemble them.  Unfortunately I have parts left over which means either I’ve found a better way or broken something.

I started with vision, which I had interpreted as the way that you see the world. Looking at a dictionary definition of vision I found that vision was described as:

  • the faculty or state of being able to see.
  • the ability to think about or plan the future with imagination or wisdom.
  • mental image of what the future will or could be like.

Or to put it another way vision is the change that you want to cause to happen.  For instance it  could be telling the story and raising awareness of a disenfranchised group of society, shining a spotlight on the growing crisis of climate change, or mobilizing people to stop using the ocean as a dumping ground.

Vision therefore is not really unique, I know there are many others that are concerned about the state of the oceans and share the vision of clean oceans that will be able to support a diverse population of marine life.   How you express that vision and work to effect change most certainly could, and should be, if you draw on and incorporate the experiences that have shaped you.

Friday Inspiration: Alec Soth

Soth

In my stumble through contemporary landscape photographers I recently found Alec Soth, and particularly his recent photo book ‘Songbook‘ in which he is exploring physical social interactions in a world of social media.

I’m still digging into the rich world of Alec Soth, there’s lots to go at! His self published book ‘Sleeping by the Mississippi‘ caught the attention of the curators of the Whitney Biennial in 2004 and his inclusion in the exhibition launched him on a larger stage. The image above from his ‘Sleeping by the Mississippi’ project was used for the poster for the exhibit. He became a nominee of the Magnum Photos agency in 2004 and a full member in 2008. Since his first book in 2004 he has produced over 20 others, including Songbook, and a number in collaboration with writer Brad Zellar. He founded the publishing company Little Brown Mushroom in 2008 to publish his own books and those of others interested in a similar narrative approach to telling visual stories. A very busy guy!

See Alec talk more about his work in the videos below.

Alec Soth et Roe Ethridge (April 28, 2013) from Paris Photo on Vimeo.