Glorious summer day on the Yorkshire Coast
Glorious summer day on the Yorkshire Coast
I think it’s hard for anyone who spends even a little bit of time around the ocean to ignore the fact that there is a lot of trash in the water. Whether it’s stuff visibly floating or at the tide line it is there in larger quantities every year.
Mandy Barker grew up on the east coast of England and experienced the growth of plastic trash washing up on the beach in increasing amounts when she was young. This spurred her on to document it and bring it into the public conversation. Her work however is not just simple documentation but rather uses the images of the trash that she has collected to create images that resemble images of that natural world such as the image above.
I really enjoy seeing behind the scenes, to better understand how other people create. Mandy provides that with a look into her sketchbooks that she uses to develop ideas that she may then work up into a final piece. Take a look at her sketch books here.
Listen to Mandy talk about her work below and do check out her website and books.
I first came across Robert Adams when I was looking for the answer to the question ‘why do people photograph’ and found his book ‘Why People Photograph‘ and then later I came across his book ‘Beauty in Photography‘. These small books are collections of essays covering topics such as collectors, humor, teaching, money and dogs and discussions of Photographers such as Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Dorothea Lange, Ansel Adams, and Minor White. I have enjoyed reading these books and get something new out of them as I reread them with a deepening understanding of photography as an art.
Why People Photograph must have been on my bookshelf for almost as long as I’ve been taking photographs, almost 10 years now, and yet it was only last year that I realized that Robert Adams can not only write but he is a well know photographer too! How many other holes in my appreciation of the history of photography could you drive a truck through?
I’m at my beginning of my exploration of his work, and I’m doing so by starting with his most recent projects first. Photographs taken around his home near the Oregon coast of the forests, coastline and meadows, very different subjects to the photographs of the American west increasingly spoiled by the urban sprawl that brought him to prominence. This work can be found in ‘The New West‘ a new edition of which will come out in the summer.
Check out the interview of Robert Adams on Oregon Public Broadcasting here and the interview below from 2006 that supported his exhibition ‘Turning Back‘. Also below is a profile of Adams by Joshua Chang, curator of the retrospective exhibition ‘The Place We Live‘.
With all the snow that we’ve been having here in New England you would think that I would have had time to finish working on my images from Japan wouldn’t you? A reasonable expectation but I’m swamped here at the moment. More about what’s going on in a few weeks.
I’ve mentioned here before that I generally take a lot of frames when I’m out shooting, particularly when I’m photographing water. With flowing water each frame will be different and potentially offer something unique. Also worth exploring is a range of shutter speeds – I generally try to keep some sense of motion in the water rather than blur the water completely with a very long exposure.
I’m still working on the image above – I’m happy with this version but will now live with this for a while to learn what I like and what I like to change.
Over the last week or so I’ve been making a list of my top 12 influences, visual artists and their work that influence and inspire me. Consistently over the years Hiroshi Sugimoto has made this list. Born in Japan, Sugimoto moved to the US to study in the mid-70’s eventually settling in New York. While he’s returned to a number of subjects repeatedly over the years, including ‘American Theatres’ in which he photographs old movie theaters and drive ins using long exposures in an attempt to show time in his photographs; ‘Dioramas’ which are beautifully executed photographs of exhibitions in natural history museums and more recently of wax-work figures; ‘Architecture’ in which he photographs structures slightly out of focus which gives a sense of the form that the architect had in mind without you getting lost in the details and my personal favorite ‘Seascapes’. His seascapes, such as the one above, give a real sense of the vastness of the ocean that particularly appeals to me.
Check out the documentary below for more about Sugimoto’s life and work.
Often I find that I am crunched for time, which means that I need to quickly process my images and get on to the next thing. Having a little bit of extra time to work on learning new techniques, how to use new equipment and then to integrate that into my everyday workflow is a real luxury.
Over the last six months or so I’ve been dabbling a little with both of these – learning about new masking techniques and how those can be used to composite images together to make large files that will be used to make large prints.
The image above is one that I had struggled with earlier in the year. I posted an earlier version of this image here. With a little bit of extra time over the Christmas break I was able to play a little, make some composites and finally get close to the image I had felt when I was there.
Sometimes time is the best gift of all.