Any day that you get to shoot off some fireworks has to be a good one!
I’ve been off on a tangent this afternoon instead of doing what I was supposed to be doing.
I was thinking about how much fun it is to know more about things – whether it be how to read a picture or how to make and taste coffee. The more we know the richer our experience is. It reminded me of the Richard Feynman anecdote about the beauty of a flower. Check it out in the video below and in the link here.
I’m looking at Jan Töve’s ‘Faraway/Nearby’ book the image above stood out to me. I was surprised that this image wasn’t on his website as part of the portfolio for this work. Hence the wonky image above snapped from the appropriate page in the book.
What goes on in this building? At first glance I thought that it looked like a grain silo but then there seems to be more going on.
I’m still working on articulating why this caught my eye. Certainly the color palette – I like the muted red and especially the blue. I find that I’m drawn to blues like this more broadly. The graphic form is also something that appeals to me, both the shape of the building and also the negative space that it makes. The diagonal line to the upper right and lower left give the image a bit of movement. Finally the mix of textures is also appealing to me.
Why did Jan take this picture? What do you make of it?
I’ve been exploring the world of graphic design in recent weeks as I thought about books and book design. It was not too many steps from graphic design to screen printing, which is something that I had thought about before.
I liked this intro to screen printing that I came across trawling through YouTube.
I was curious to understand how I might be able to apply this to photography. Could you? There’s a great course on Domestika that goes through how to use photoshop to make CMYK separations and then do a four color screenprint. Check out the trailer below.
Moving a step beyond photorealistic screenprinting to something more imaginative I realized that Andy Warhol had done this already.
And you can too…
I also think that Charlie Barton is doing interesting things combining screen printed photos with graphic shapes such as the Ferris wheel sunset below.
Definitely food for thought and I will certainly be exploring how I could print my photography and extend it through screen printing.
Whether you think you can or think you can’t – you’re right!
I’ve been having one of those weeks, as I often do. I’ve had a couple of things happen that have really made me challenge my assumptions, especially about what I’m capable of.
I think what you are capable starts with what you believe. So it’s definitely worth asking the question ‘what beliefs do I hold that prevent me from achieving what I’m capable of?’
Sometimes you can’t see this for yourself and need to talk this through with others. Sometimes you’re pushed out of your comfort zone and this changes your perspective.
Obviously just believing that you can is not enough. It requires work and effort to close the gap between your current reality and what you know you can achieve. There will be frustration and disappointment along the way but you have to stay the course and keep at it.
Susan Bein is a teacher, graphic designer and photographer based in Portland, Oregon. I first came across her work on Instagram, although how I found her there I’m not sure. I think I was following links from one person to another to another. On Instagram Susan is @Wizmosis – check out her work!
In her bio she says:
I was an art kid who began photographing as a teen because I couldn’t paint or draw what I could see in my mind’s eye. I took classes from many of the photo giants of the time; Ansel Adams, Minor White, Aaron Siskind, and Paul Caponigro. I used black and white film and large format cameras.
What an amazing opportunity to learn from the masters of photography a veritable who’s who.
Susan drifted away from photography and into graphic design and teaching. Falling in love with photography again with the advent of the iPhone.
I love her iPhone work that is on Instagram and featured in her book Slightly Bonkers. The book is more magazine-like which gave Susan an opportunity to include a large number of the images that she made during the craziness that was 2020. I’m glad she did. Take a quick look in the flip through below.
Check out Susan’s presentation in the video below and learn more at her website here.
Having written about folios as an alternative to a book I thought it was worthwhile pointing to another solution which is the box of prints.
I understand that historically these might have been matted prints but a trend that I am seeing emerge over the last few years is for photographers to offer boxes of prints to their audience. These prints can range from a representative collection of prints spanning a few years, the output from the previous year or just the most recent season.
I was exciting to receive Simon Baxter’s first box set of prints recently and thought I would show you how he pulled this project together as a case study for what excellent could look like.
It’s easy enough to to buy a photo box off the shelf pop your prints in and call it a day but Simon went beyond this. He has his logo embossed in the box lid, the lid itself is hinged and held closed with a small magnet – a nice touch! Inside the box is a colophon/text sheet describing the project and the package of prints. I was impressed – the small details took it to the next level. Take a look in the video below.
In looking at the work of Peter Dombrovskis over the last few weeks I couldn’t help but wonder about how we engage with the work of the ‘photography masters’. My preference of course is through books. Based on my Peter Dombrovskis experience this is a challenge.
There are of course the exceptions. Access to Ansel Adams’s photographs are readily available through books and calendars. It’s even possible to get prints from the original negatives printed by Ansel’s assistant Alan Ross.
Not every photographer has the kind of machinery behind them that Ansel has. What about the others. Is there space for periodic ‘remastering’ of classic books in the way that classic records are remastered. A very different undertaking but certainly possible.
I feel like one of my favorite photographers, Eliot Porter, received this kind of remastering in 2012 when a new edition of
‘In Wildness Is the Preservation of the World’. was published to mark the 50th anniversary of the first edition.
The Getty Museum also published a collection of Eliot’s work at around the same time, ‘Eliot Porter: In the Realm of Nature’. This book rather than a new edition is a great survey of Eliot’s work and for me is reminiscent of the Peter Dombrovskis book I recently acquired.
I wonder how many of the masters will get this additional chance to reach a new audience through a book, how many will achieve something similar through the internet and how many will fade away.
I love hearing who inspired you as a photographer. Not only does it provide insight into who you are as a photographer but also provides me with a jumping off point for a new exploration. I can then share the results of that exploration here.
Peter Dombrovskis was one such photographer that I heard about during an interview with Joe Cornish. Down the rabbit hole I went.
Peter Dombrovskis was an Australian photographer most well known for his photographs of Tasmania. His photographs of the Tasmanian wilderness were instrumental in conservation efforts, most notable was his contribution to the campaign to prevent the damming of the Franklin river.
Looking to dig into Peter’s work I was keen to get a hold of some of his photobooks. They are hard to find and often very expense. Perhaps because of his geographic location there isn’t a big pool of his books on the used market here in the US. Fortunately there is a relatively recent book of his work ‘Journeys into the Wild’ that can be be found with a bit of effort. I ordered a copy and had it shipped from Australia. It arrived a little battered but I’m pleased that I was able to get a copy. Take a look at the book in the video below.
I very much enjoyed hearing Joe Cornish talking about Peter Dombrovskis’s work – take a look below. To learn more about Peter please visit his website here and also see the article at On Landscape here.
Wow – how did we get into April so quickly. It feels like winter zipped on by and now we are on the doorstep of the summer boating season. The arrival of spring is usually marked, domestically, by a period of spring cleaning. I rarely feel moved or motivated to pick up the duster but this year is different. After a year at home with no travel my office has gather some barnacles that need to be scraped off in readiness for the next part of the adventure.
I have indulged, splurged would be a better word, on a number of photobooks and art books in general that have yet to find their place on my books shelves. This is also an opportunity to rethink how the shelves are arranged and organized. I also want to get the paper I have for printing organized so that I know what I have and can find it!
Perhaps for once I will get everything off the floor and be able to run the vacuum around. Ha! Wonders will never cease.