Susan Bein is a teacher, graphic designer and photographer based in Portland, Oregon. I first came across her work on Instagram, although how I found her there I’m not sure. I think I was following links from one person to another to another. On Instagram Susan is @Wizmosis – check out her work!
In her bio she says:
I was an art kid who began photographing as a teen because I couldn’t paint or draw what I could see in my mind’s eye. I took classes from many of the photo giants of the time; Ansel Adams, Minor White, Aaron Siskind, and Paul Caponigro. I used black and white film and large format cameras.
What an amazing opportunity to learn from the masters of photography a veritable who’s who.
Susan drifted away from photography and into graphic design and teaching. Falling in love with photography again with the advent of the iPhone.
I love her iPhone work that is on Instagram and featured in her book Slightly Bonkers. The book is more magazine-like which gave Susan an opportunity to include a large number of the images that she made during the craziness that was 2020. I’m glad she did. Take a quick look in the flip through below.
Check out Susan’s presentation in the video below and learn more at her website here.
In my poking around on the web I recently came across the photography of Josef Sudek. Sudek was based in Prague and actively photographed until 1976 when he was 80. He had lost an arm to shrapnel in the First World War which makes his work produced with a large format camera all the more impressive.
Sudek is often referred to as the poet of Prague and I can understand that. I find his images to be quiet and contemplative. I get a sense of loneliness or melancholy from many of the images. Perhaps that’s just me. The images shot in and around his studio reminded of Saul Leiter’s photographs – largely because of shooting through the condensation on the windows.
David was not formally trained as a graphic designer but as a sociologist and taught high school sociology before making the leap into graphic design. This means he doesn’t have formal training but a great instinct for design and a willingness to go with what feels right.
This approach manifests itself in work that is free and unstructured. Work that has really challenged my notion of what is ‘correct’. It clearly has worked out for him. Starting with magazines such as Surfer and RayGun he’s worked with an ‘A’ list of clients as diverse as Microsoft and Nine Inch Nails.
David is an advocate of putting yourself into your work, an ethos that all of us should embrace since this is where the innovation lies.
Check out more of David’s work at his website here and get a sense of his work and the fun he brings to his work in the Ted Talk below.
I’ve been thinking a lot about community recently – how do you build it and how do you sustain it. Even harder as we live through the challenges thrown our way because of COVID-19.
David and Clare Hieatt seem to have built a great community with the ‘Do Lectures’. I was flicking through the book ‘Stay Curious’ about the first 10 years of the Do Lectures in search of inspiration.
Clare and David started the Do Lectures with the simple goal:
‘To gather together the world’s Doers – disruptors and change makers, experts and pioneers – to share their stories, and encourage others to go and Do.’
Looking through the list of speakers by year I was curious to see when they hit the mainstream and ‘big names’ started to appear. I recognized some of the names – Tim Ferris right there at the start, David Allen of GTD fame in 2010 and others that I think I know from the Do Lectures themselves.
Rather than make the Do Lectures a huge circus they’ve stayed true to their core values and purpose, kept the event intimate and made a good deal of positive change in the world.
I couldn’t resist finishing up with the video by Andrew Paynter ‘A Visual Language’ about his journey as a photographer and the recommendation to check out his book Do Photo.
I am fascinated with the idea of how time can be represented in a still image. I return time and time again to David Hockney on this subject and recently came across a video that I hadn’t previously seen of him talking about this topic and thought that I’d share it here.
When I first came across Tokihiro’s photographs I was fascinated. A representative image is above – points of light or strings of light in the landscape. He calls these photographs ‘breath-graphs’ or photo-respiration with the points of light or lines representing his movement through the landscape.
From a technical perspective how did he do it? He uses a large format film camera to make long exposures – while the shutter is open Tokihiro uses a small mirror to shine a point of light on the lens and then moves and repeats the process. The videos below give some additional insight to the technique that Tokihiro uses.
I think it’s hard for anyone who spends even a little bit of time around the ocean to ignore the fact that there is a lot of trash in the water. Whether it’s stuff visibly floating or at the tide line it is there in larger quantities every year.
Mandy Barker grew up on the east coast of England and experienced the growth of plastic trash washing up on the beach in increasing amounts when she was young. This spurred her on to document it and bring it into the public conversation. Her work however is not just simple documentation but rather uses the images of the trash that she has collected to create images that resemble images of that natural world such as the image above.
I really enjoy seeing behind the scenes, to better understand how other people create. Mandy provides that with a look into her sketchbooks that she uses to develop ideas that she may then work up into a final piece. Take a look at her sketch books here.
Listen to Mandy talk about her work below and do check out her website and books.
I’ve been taking a deeper dive into the guitar again in recent months and have enjoyed the unabashed geekery from the ‘That Pedal Show‘ guys. I’ve also learned a lot over the course of the many episodes of the show that I’ve watched, although I don’t have the ears that Mick and Dan have to discern the nuance in the various amps and pedals that they discuss.
I wanted to share this particular episode with Ed O’Brien one of the guitarists from Radiohead because I really enjoy listening to creative people at the top of their game talk about their process. There are many parallels between the various creative arts that I think that we can learn from and apply to our work some of the ideas from other disciplines.
If you’re not interested in the guitar stuff skip ahead to 17:17 which is about where Ed starts talking about his process.
Looking at my notes I was surprised to see that I have never included Michael Kenna in my Friday Inspiration series. His minimal landscape work resonates with me in a deep way. I enjoy the space that he provides the viewer for their own thoughts. The range of subjects that Kenna has photographed is quite impressive from minimalist Japanese winter landscapes to a power station in England to his daughter’s kindergarten classroom. Quite an inspiration.
I was excited a few years ago when I saw a short trailer for a documentary following Kenna as he photographed in Shinan in Korea. Yet I never was able to find the full length documentary until recently. Check out ‘A Letter From Shinan’ below.
I am filled with admiration for people like Joni Sternbach, who not only take a large format camera into the field but because she is using a wet-plate collodion process the photographic plates must be prepared and developed on location too.
The project that I’m most familiar with is – Surfland. It’s a project that was started ten years ago and has taken her to local surf spots on both coasts of the US, to Hawaii, Uruguay, Australia, France and England. It is a fascinating exploration of surf culture across the globe and well worth a deeper look.
Check out the Surfland project on Sternbach’s website here. There are also a couple of books associated with the project that can be found on her website here or from amazon.