The first time I came across Erik Aanderaa’s YouTube channel I must admit I thought it was some yahoo macho nonsense. I mean who sails solo in the North Sea in Winter? ‘The Algorithm’ at work again. Although how this was related to Sailing Zatara is beyond me.
The sailing was riveting ‘Encountering Storm Force 10’ and I quickly found myself having watched all the videos and eagerly waiting for the next one. What I came to appreciate was that Erik was slowly building up his skill set and taking slow steps towards a bigger journey. A solo circumnavigation of the Norwegian Sea.
Erik was trained as a professional mariner and currently works as an instructor at a marine safety center. He clearly understands the risks of being around the ocean and uses that experience to prepare for his offshore adventures in his Contessa 35, Tessie.
If you listen to interviews with Erik you will soon learn that his sailing adventures haven’t been incident free. In 2011 he ran aground just outside of his home port of Haugesund. Sailing in sub-zero conditions he became hypothermic and disoriented. He went down below to warm up forgetting how close he was to land. Tessie ended up on the rocks, sustaining damage that took six months to repair. That experience would have been enough to end sailing for some of us but Erik learned from the experience and was back out sailing as soon as Tessie was ready.
Erik’s winter sailing in the North Sea is epic but equally remarkable are the videos. He has some of the most amazing sailing footage I’ve seen – captured using a drone that he is controlling while sailing single handed! Stunning!
Erik’s epic voyage around the Norwegian Sea was completed just as the world was entering lock down. Check out the multipart series below. To learn more about Erik check out his YouTube channel and don’t miss some of his photos here.
Tripods are a blessing and a curse. Have you ever watched a group of photographers arrive at a location and set up to take some photographs. I would bet that at least had of the group immediately set their tripod up at about eye level and then start making pictures. It’s a natural thing to do and I’m not saying that it’s bad to do that just that it locks you into a particular way of seeing.
I’m just getting back into using a DSLR after a hiatus where I only shot with my iPhone. I’m still reluctant to drag all the gear – the tripod, the bag of lenses, the filters etc. around with me and so at the moment I’m still 95% iPhone. Everything you’ve seen here or on instagram in the last 2 or 3 years has been with the iPhone.
What i’ve realized before and I’m noticing again is that there is a fluidity to shooting with a phone that is lacking with a larger camera. I tend to explore a bit more, move around, explore different angles, get closer, get lower and just generally be more creative. I find this exploration of a scene helps me move beyond the obvious image and get closer to something that is more me.
I plan on still using the phone before I even get my DLSR out of the bag to explore and then once I’ve found the composition pull out the DSLR, tripod and paraphernalia to get the final shot.
How about you? How do you go from initial seeing to final image. Do you mage sketch images to help work through the scene in front of you? How do you do that? Do you use a viewfinder like the painters use? An old slide holder? Your camera like I do? I’d be interested to hear about your process in the comments.
As I look around for ‘how to’ resources for lightroom and photoshop one of the people that I continually come back to is Julieanne Kost. Julieanne is the Principal Digital Imaging Evangelist for Adobe Systems, which means that she spends much of her time on the road speaking at conferences and teaching how to get the most out of lightroom and photoshop. I recently worked through her ‘Advance Photoshop Layers‘ course on the CreativeLive site which was excellent. She’ll be teaching during the upcoming Photoshop week on CreativeLive which will be worth checking out.
Many of the examples that Julieanne uses during her demonstrations are from her personal projects. Her book Window Seat is quite interesting and now available as a digital book. Well worth a look. It’s the photoillustrations, such as the one above, that of course really capture my attention given my interest in assembling images from parts. Check out the videos below to see more of how these are constructed: