Any day that you get to shoot off some fireworks has to be a good one!
My days are packed, I’m sure yours are too, which means that I often find myself wondering is this the most important thing that I can be doing right now. Prioritization is both a chore and something that I find painfully difficult because I don’t like saying no.
I was recently reintroduced to Ikigai a Japanese term meaning ‘having a direction or purpose in life, providing a sense of fulfillment and towards which they the person may take actions, giving them satisfaction and a sense of meaning.’ Take a look at the graphic below for a sense of what were talking about but also realize that this isn’t quite ‘it’. See here for an explanation.
If you’re interested in digging into your own purpose check out this work sheet from Dandy People here.
Being clear about my sense of purpose has really helped remove some of the big items from my plate leaving me clear to focus on a smaller set of things where I can really make a difference. How about you? How do you make sense of the myriad of things that you could do?
It’s hard to believe that we’re in June already. Where did the first part of the year go? I’m taking a breath this week and with that comes a reflection on what I’ve managed to achieve in the first part of the year and set myself up for the second half of the year.
While the first part of the year has zipped on by I’ve had some successes and some misses.
In the successes category I’ve got a new computer and restructured my catalog and back-up strategy. I’ve started posting regularly on instagram and used some of those images to make a small handmade book. Which in turn gave me a project to learn more about InDesign. I’ve gotten clearer about my why for photographing, something that I have wrestled with and continue to wrestle with. The struggle is real! As a result of my regular posting on instagram I’ve photographed more, all with the iPhone, and found myself hitting the limits of the iPhone as a camera.
There are lots of things that I haven’t done of course. I had plans to photograph and compile a family cookbook. I started taking pictures for that but haven’t gotten very far with it. Perhaps for Christmas 2022? There are many other things that have been pushed to one side to make room for photography, blogging and instagram. As I look now towards the next 6 months I’m thinking about what do I want to achieve by the end of the year.
Elizabeth King tells us that ‘Process Saves us From the Poverty of Our Intentions‘ which really resonated when I first came across it and still does. Having a daily practice of creating is the only way for me to accomplish all of the different things I have up in the air.
It is also fitting because I’ve been thinking a lot about intentions vs goals. They can seem like the same thinking but are subtly different. I like to think that intentions describe a desired end state, The Why. Plans are where the process fits in and are the How. Goals are the things that will need to be achieved in order to get there – The What.
Still some work to do to nail down intentions for the second half of the year but it’d definitely coming into focus.
How about you – Goals? Intentions? Plans? None of the above but just see where the breeze blows you? I’d love to hear about your process.
I continue to think about and torture my friends by asking them about making Art and making photographs specifically. What is it for? Who is it for?
There are so many ways that we can use our time why make art if it’s not putting food on the table? Why make art if there’s no waiting audience for it?
The answer that I keep coming back to is that for me, and I suspect many others, creating things is an internal drive. I just have to do it. The world gets out of balance without the ability to create things. Nice if there’s and audience for what we’re making but it’s not the reason for making it.
Where things get a bit wobbly is when you have expectations for what you are creating. Whether it’s the standard that you set for yourself for quality? Whether it’s the ‘likes’ on Instagram or the number of pieces sold. Focusing on these things as measures of how good the work is will inhibit your progress as an artist.
Instead it’s much better to focus on the process of creating. Thinking about how many days did I get out to photograph this week, this month, this year or how many photographs did I ‘finish’ – take through the edit process and print? Seems to me a much better way to measure our creative output.
Whether you think you can or think you can’t – you’re right!
I’ve been having one of those weeks, as I often do. I’ve had a couple of things happen that have really made me challenge my assumptions, especially about what I’m capable of.
I think what you are capable starts with what you believe. So it’s definitely worth asking the question ‘what beliefs do I hold that prevent me from achieving what I’m capable of?’
Sometimes you can’t see this for yourself and need to talk this through with others. Sometimes you’re pushed out of your comfort zone and this changes your perspective.
Obviously just believing that you can is not enough. It requires work and effort to close the gap between your current reality and what you know you can achieve. There will be frustration and disappointment along the way but you have to stay the course and keep at it.
Susan Bein is a teacher, graphic designer and photographer based in Portland, Oregon. I first came across her work on Instagram, although how I found her there I’m not sure. I think I was following links from one person to another to another. On Instagram Susan is @Wizmosis – check out her work!
In her bio she says:
I was an art kid who began photographing as a teen because I couldn’t paint or draw what I could see in my mind’s eye. I took classes from many of the photo giants of the time; Ansel Adams, Minor White, Aaron Siskind, and Paul Caponigro. I used black and white film and large format cameras.
What an amazing opportunity to learn from the masters of photography a veritable who’s who.
Susan drifted away from photography and into graphic design and teaching. Falling in love with photography again with the advent of the iPhone.
I love her iPhone work that is on Instagram and featured in her book Slightly Bonkers. The book is more magazine-like which gave Susan an opportunity to include a large number of the images that she made during the craziness that was 2020. I’m glad she did. Take a quick look in the flip through below.
Check out Susan’s presentation in the video below and learn more at her website here.
I’ve enjoyed looking at chapbooks and zines over the last couple of weeks, especially as an alternative to ‘prints on the wall’ as a finished product. To begin exploring the practicality of this I thought I would pick a small set of images and make something.
I had been playing with my iPhone at night just to see what it was capable of doing in low light. Over the course of a couple of weeks – usually when I was taking out the trash cans – I made a series of images of the moon. I then wondered whether I could actually get a crisp image of the moon with my Sony A7RIII.
I pulled these together in a Lightroom catalog, picked the ones I liked the most and then started in.
I have also had ‘learn InDesign’ on my list of things to do, so this was an opportunity to do all of this at once.
I started simply by making the chapbook using square museo cards. These are double sided so it was easy enough to set up a print template in light room for the card and run them through for the front and back. It was a bit of a brain twister to make sure the the right image was in the right place, in the right orientation but I figured it out eventually.
I then moved on to the zine which I had decided I would make on regular photocopy paper using my laser jet printer. I made a project for this using InDesign and was able to relatively quickly assemble the images for printing. My laser jet printer has a duplex option which means it automatically prints on both sides of the paper. It did take me a while to get all the settings figured out and by a while I mean a lot of paper! I finally realized what the issue was and got the zine printed.
For binding, the zine was stapled using a long reach stapler – what a cool toy that is! – and the chapbook was sewn using the three hole pamphlet stitch. I was happy with how they came out.
Take a look in the video below.
Finally using the InDesign file I made a pdf of this project – check it out here.
I was quite happy with how this came together. I still have a lot to learn but have a number of ideas for other mini-projects that I could do in a similar way which will build into something a little more substantial.
I am crossing my fingers and hoping I don’t jinx myself by saying this but I have impressed myself with my ability to keep up with posting on Instagram. I had set a creativity challenge for myself earlier in the year – originally it was to post on Instagram everyday but instead I decided to post every other day. Remarkably I’ve kept up with it!
Like photography and all forms of social media there is a good deal of editing involved. I am not showing everything that is going on for me only when I’m moved to use the camera. Nevertheless I am capturing my life one frame at a time.
Many of these photographs have special meaning for me but I wonder whether they connect with an audience. Certainly none of the images have ‘gone viral’ so that’s one kind of answer to this question.
One question that I’m returning to is ‘who are you creating for? Is it for yourself or your ‘audience’?’ I have always been advised to create for yourself but market to your audience.
How do you think about this? Where is ‘audience’ in your creative process? Not considered or front and center? Or somewhere in between? Is that working for you? I’d love to hear about it.
I’be been thinking about projects over the last few weeks. You might call it a series, others might call it a portfolio but for me all of my photography sits as part of at least one of a number of on-going projects. I picked up this way of working from one of the earliest workshops I did online with Bill Neill.
I had been thinking about initial ideas and how to develop them into a rich body of work when I started to think about what’s the goal? What would success look like? When would I know that I was done?
I must admit though that I never feel like I’m ‘done’. I just keep looking for images that will either raise the standard of the work that’s in my project or that will extend it in some way. But I had never thought about it being done.
It was encouraging then to listen to an interview with Michael Kenna who said something similar. That he’s never really done but an exhibition or a book deadline line will cause him to bring a group of images together that suits the need. He keeps working though and extends the work beyond the exhibition or book.
Other people that I’ve been listening to have discreet projects – I’m going to photograph here for a week, a month, a year and then after that time I’ve got what I’ve got and I’ll move on to the next project. Even then some of these photographers look for a milestone event such as an exhibition or a book to signal being done.
I like the idea of getting your project out into the world as an exhibition, a pdf, a chapbook, zine or larger book as a signal that the work is done. If only that means that chapter of the work is finished.
How about you. How do you know when you’re done with a chapter or the whole project? I’d be interested to hear about it.
I noted recently that most of the images that I’m posting here and other places are made, and finished, using the iPhone. I enjoy the way of working it’s fast easy and I can do it anywhere. If I have 5 or 10 minutes to kill I’m likely to scroll through the recent batch of images that I took and run them through one of the apps that I have on my phone.
I’ve generally been pretty happy with what I’ve been able to achieve although I have received some criticism of the processing of some of the images that I posted – mostly ones from a while ago when I was heavily using presets to process the images. Phototoaster overcooked my images! As a reaction to that feedback I’ve migrated to using Snapseed to adjust contrast and saturation and not do much more to the image if it were color. For black and white I finish the image up in VSCO using one of the black and white film emulations.
In the last week though I’ve started to play with the presets in Instagram. I’m starting to think that I’m not pushing the images as far as they can go, or at least fully exploring the possibilities. I’ve been surprised that some of the filters in instagram achieve a better result than the one that I decided was ‘done’ in Snapseed. Why is that?
I think it was Brian Eno that suggested we go to an extreme and retreat to a more useful position. I don’t think that I’m going to the extreme – pushing saturation a little harder to see what is possible, pushing contrast to see what effect it has – and that is limiting the visual impact that my images have.
How about you? How do you process your images? Do you use presets to explore the potential in the image before setting to work in earnest? I’d be happy to hear about it.