Tripods are a blessing and a curse. Have you ever watched a group of photographers arrive at a location and set up to take some photographs. I would bet that at least had of the group immediately set their tripod up at about eye level and then start making pictures. It’s a natural thing to do and I’m not saying that it’s bad to do that just that it locks you into a particular way of seeing.
I’m just getting back into using a DSLR after a hiatus where I only shot with my iPhone. I’m still reluctant to drag all the gear – the tripod, the bag of lenses, the filters etc. around with me and so at the moment I’m still 95% iPhone. Everything you’ve seen here or on instagram in the last 2 or 3 years has been with the iPhone.
What i’ve realized before and I’m noticing again is that there is a fluidity to shooting with a phone that is lacking with a larger camera. I tend to explore a bit more, move around, explore different angles, get closer, get lower and just generally be more creative. I find this exploration of a scene helps me move beyond the obvious image and get closer to something that is more me.
I plan on still using the phone before I even get my DLSR out of the bag to explore and then once I’ve found the composition pull out the DSLR, tripod and paraphernalia to get the final shot.
How about you? How do you go from initial seeing to final image. Do you mage sketch images to help work through the scene in front of you? How do you do that? Do you use a viewfinder like the painters use? An old slide holder? Your camera like I do? I’d be interested to hear about your process in the comments.
I often fall into the trap, as I suppose many people do, of being generally dissatisfied with the work that I’m producing. I make images that I like just often enough to keep me engaged but it can be tough to keep going especially when we’re surrounded by an onslaught of great work on social media.
The guitar teacher Tomo Fujita tells his students ‘Be Kind to Yourself, Don’t Compare, Don’t Expect Too Fast, and Don’t Worry.’ Good advice for anyone whether they are trying to learn a new skill or to be creative.
The other advice that I turn to when I’m struggling is what Ira Glass said about ‘The Gap’ (see video 3 below). He’s describing the difference between what you know is good and want to be able to do and what you’re currently able to achieve.
Check out the illustrated video below.
The solution of course is to do a lot of work. Bang it out even if you don’t feel like it. Just keep going. You will get better, you will evolve and you will close the gap.
Checkout the full interview ‘Ira Glass on Storytelling’ in the following videos. This should be required viewing for anyone in the creative arts.
I thought I’d try out a video of this set of notebooks check it out:
The smallest of the notebooks that I have is a passport size notebook from Travelers Company. It’s an odd size at 5.2 x 3.8 inches, about the same size as a passport, small enough to easily be able to put in a pocket with you to carry around. You can set it up to have a max of three different inner notebooks at the time I got this notebook I didn’t really see the point and so had a diary as one and a notepad as the other insert.
I somehow got into the notebooks from Field Notes. They are too big for the Travelers company leather cover which was a frustration for me. I eventually decided to forgo the cover and switch to the Field Notes notebooks. They were easier to get in the US at the time. The Field Notes books are pretty interesting with a new design appearing every quarter or so.
I’ve been fortunate enough to visit Vienna several times and somewhere along the time I got introduced to Paper Republic. I had been looking at their Grand Voyager XL planner, an A5 leather cover and notebook set as a replacement for the Moleskine notebooks that I use. By mistake I ordered the Grand Voyager Pocket. Turn out that the Pocket size is the perfect size for me. I can finally use my Field Notes books in a system similar to the Travelers Company notebook. I now use one notebook for a ‘bullet journal’ rapid logging section and then the second for notes and ideas. ‘Collections’ in the Bullet Journal lingo.
When I want a little bit more real estate than the Field Notes size books can provide I work in the Baron Fig Confidant notebook. This notebook stays in my desk at home. Ideas get transferred into this from the Field Notes books.
Finally when I really want to stretch out I have this A4 size notebook that I picked up on Amazon. Quite often I’ll go over and over the same topics in several places – a habit that I appear to have. I will press on topics until they yield to my meager understanding.
In addition to these analog notebooks I use Instagram as a digital sketchbook where I try ideas out. I limit my Instagram posts to iPhone only efforts. And I use this blog to document the things that I’m thinking about and looking at.
I learn all kinds of stuff by listening to my kids talk to their friends. Some of it immediately, some of it takes me a while to unravel.
It’s snowboard season here in New England which means trips to and from the slopes with groups of high school age kids for me. They are very much into making videos of their exploits to get feedback on how they are doing with learning tricks but also to post on social media. ‘Doin’ it for the ‘gram’ was the phrase used in a rather derogatory tone.
That got me thinking about what I post on social media and why and what are my expectations. I am playing a game with my posts on Instagram, or at least I have some simple rules that I am following. Must be shot and edited on my phone. No wireless transfer of files from any of my ‘fancy’ cameras, no transfer of files from the phone onto my computer for editing. All has to be done on the phone. Also the apps that I use can’t be mobile versions of Lightroom or Photoshop.
This of course is less of an amazing feat now that the phone cameras are so incredibly capable and produce high-res files. It goes without saying that phones themselves are way more powerful computers than the first desktop computers I worked with but then I grew up with a single rotary dial phone in the house if you catch my drift.
The result is a set of photos that are in effect sketches or studies. I’m trying out composition ideas using the phone and quickly processing using filters and effects in a small number of apps – typically Snapseed and VSCO. I’m often accused of being heavy handed with the processing – probably true, certainly lacking the kind of finesse possible on a desktop. Are these the high impact, portfolio best images that will garner lots of ‘likes’ not at all. But that’s not the point.
I’m having fun playing and don’t mind letting people look over my shoulder see my sketchbook develop.
In the first 30 years of your life, you make your habits. For the last 30 years of your life, your habits make you. — Hindu saying that Steve Jobs was fond of
I tend to circle topics until I get a satisfactory answer – something that makes sense to me, is actionable or is a definitive end. It’s a funny trait that I didn’t realize I did until someone pointed it out to me recently. One of those topics is how to learn. I’ll certainly come back to this a few times here.
I was thinking about a story that I read in the book Art & Fear about a pottery class that was split into two. One group was told that their grade would be based on the quantity of work that they produce during the semester while the other group would be graded on the quality of work they produced. At the end of the semester the group that produced the most work also produced work of a higher quality. The act of making, making mistakes, correcting and making again had lead to a deeper understanding.
How can we apply this thinking to our photography to push ourselves forward? I am contemplating a project where I would post an image a day to Instagram and then review my progress at the end of a year. Would this spur me forward to actively create and finish more images? Would that help me get out of a rut and move me forward? I think it may be fun but would be an immense challenge for me. At the moment I rarely leave the house makes it a challenge or at least pushes me in a different direction.
Carrying a camera with me is not a habit that I need to adopt – my phone is always with me. I’m often mentally taking photographs – I still see the American flag, framed on 3 edges by fall leaves that I looked at for a week when I was dropping my daughter off at school but never took the photo – but I don’t take enough photos to be able to post one a day. Not yet anyway.
How about you do you carry a camera with you all the time and do ‘visual push-ups’ every day? Want to join me in the challenge? Need an accountability partner for your project? A year too long? How about a sprint? Everyday for a month? Let me know here or tag me on Instagram.
Growing up I spent an awful lot of time at the pool and it looks as though I’m going to be doing so again, although not in the water this time.
While sat watching my kids do laps I wondered whether I could use the time to develop a project, one that goes beyond the snapshots of the kids at the pool. It’s fun to start these projects, I find finishing them much harder.
One of the projects that I set for myself this year is to create 250 ‘instagram’ images. Not necessarily to post 250 images to Instagram but to finish 250 images taken on the iPhone and processed using apps. That means ~ 60 images per quarter. It’s been an usual start to the year which was the major driver for me reaching the 100 mark last week.
Looking back over the images is see that I clearly have a preferred color palette as well subject matter. My 100 a images are an eclectic collection of mostly color abstracts and landscape images.
The image above, taken on the last day of a short trip to Portland, is a clear outlier. Without exception the other 99 are all of subjects outside, even if they were taken from the warmth of a coffee shop the subject was outside.
I doubt that there will be more like this – never say never – but it does make me wonder why I haven’t been shooting indoors more and what it would look like if I did.