I often fall into the trap, as I suppose many people do, of being generally dissatisfied with the work that I’m producing. I make images that I like just often enough to keep me engaged but it can be tough to keep going especially when we’re surrounded by an onslaught of great work on social media.
The guitar teacher Tomo Fujita tells his students ‘Be Kind to Yourself, Don’t Compare, Don’t Expect Too Fast, and Don’t Worry.’ Good advice for anyone whether they are trying to learn a new skill or to be creative.
The other advice that I turn to when I’m struggling is what Ira Glass said about ‘The Gap’ (see video 3 below). He’s describing the difference between what you know is good and want to be able to do and what you’re currently able to achieve.
Check out the illustrated video below.
The solution of course is to do a lot of work. Bang it out even if you don’t feel like it. Just keep going. You will get better, you will evolve and you will close the gap.
Checkout the full interview ‘Ira Glass on Storytelling’ in the following videos. This should be required viewing for anyone in the creative arts.
I learn all kinds of stuff by listening to my kids talk to their friends. Some of it immediately, some of it takes me a while to unravel.
It’s snowboard season here in New England which means trips to and from the slopes with groups of high school age kids for me. They are very much into making videos of their exploits to get feedback on how they are doing with learning tricks but also to post on social media. ‘Doin’ it for the ‘gram’ was the phrase used in a rather derogatory tone.
That got me thinking about what I post on social media and why and what are my expectations. I am playing a game with my posts on Instagram, or at least I have some simple rules that I am following. Must be shot and edited on my phone. No wireless transfer of files from any of my ‘fancy’ cameras, no transfer of files from the phone onto my computer for editing. All has to be done on the phone. Also the apps that I use can’t be mobile versions of Lightroom or Photoshop.
This of course is less of an amazing feat now that the phone cameras are so incredibly capable and produce high-res files. It goes without saying that phones themselves are way more powerful computers than the first desktop computers I worked with but then I grew up with a single rotary dial phone in the house if you catch my drift.
The result is a set of photos that are in effect sketches or studies. I’m trying out composition ideas using the phone and quickly processing using filters and effects in a small number of apps – typically Snapseed and VSCO. I’m often accused of being heavy handed with the processing – probably true, certainly lacking the kind of finesse possible on a desktop. Are these the high impact, portfolio best images that will garner lots of ‘likes’ not at all. But that’s not the point.
I’m having fun playing and don’t mind letting people look over my shoulder see my sketchbook develop.
In the first 30 years of your life, you make your habits. For the last 30 years of your life, your habits make you. — Hindu saying that Steve Jobs was fond of
I tend to circle topics until I get a satisfactory answer – something that makes sense to me, is actionable or is a definitive end. It’s a funny trait that I didn’t realize I did until someone pointed it out to me recently. One of those topics is how to learn. I’ll certainly come back to this a few times here.
I was thinking about a story that I read in the book Art & Fear about a pottery class that was split into two. One group was told that their grade would be based on the quantity of work that they produce during the semester while the other group would be graded on the quality of work they produced. At the end of the semester the group that produced the most work also produced work of a higher quality. The act of making, making mistakes, correcting and making again had lead to a deeper understanding.
How can we apply this thinking to our photography to push ourselves forward? I am contemplating a project where I would post an image a day to Instagram and then review my progress at the end of a year. Would this spur me forward to actively create and finish more images? Would that help me get out of a rut and move me forward? I think it may be fun but would be an immense challenge for me. At the moment I rarely leave the house makes it a challenge or at least pushes me in a different direction.
Carrying a camera with me is not a habit that I need to adopt – my phone is always with me. I’m often mentally taking photographs – I still see the American flag, framed on 3 edges by fall leaves that I looked at for a week when I was dropping my daughter off at school but never took the photo – but I don’t take enough photos to be able to post one a day. Not yet anyway.
How about you do you carry a camera with you all the time and do ‘visual push-ups’ every day? Want to join me in the challenge? Need an accountability partner for your project? A year too long? How about a sprint? Everyday for a month? Let me know here or tag me on Instagram.
What a strange year 2020 turned out to be. Turning the page it looks like 2021 will also be fraught with challenges – the hope for an orderly transition of leadership in the US was thrown into chaos with the events of yesterday. We can only hope that this is a low point from which the country will move forward from.
More virulent strains of the SARS-CoV2 virus appear to spreading throughout the world after first making an appearance in the UK. I have had a ring side seat to how we are responding to this threat and have been fortunate enough to work on therapeutic interventions one of which is now in clinical trials. From my vantage point it looks like we are a long way from being out of the woods, with more lockdowns to navigate.
All that leads me to think that I’m going to be working at home for the foreseeable future. I put my fancy cameras down a couple of years ago now and have used my iPhone exclusively since. The camera in the current iPhone is a sophisticated tool much more so than the camera that was in the phone when the ‘The Best Camera is the one that’s with you’ movement got going. At the time I was always impressed with what people were able to achieve with just their phones, now that’s much less of a novelty. With an expectation that the iPhone is as good a camera as many DSLRs. Perhaps I’m stretching that a bit but I’m sure if you’ve seen the evolution of the iPhone camera you know what I mean.
Perhaps because of the lockdowns and social distancing expectations or maybe it was just the right time, my desire to re-engage with photography in a deeper way has been growing over the last couple of months. I will probably post more here although it looks very much like the world has moved away from Blogs to Vlogs with everyone and the dog now running a YouTube channel. Not for me. Not yet at least.
I spent an afternoon over the weekend wandering around the local woods. Not hard to do in this part of Connecticut – everything seems to be in the Woods! It’s nice but I find it a little claustrophobic. Fortunately there are lots of ponds and lakes too which breaks up the walk nicely.
The ponds are now starting to catch the falling leaves. It will be snowing soon enough.
After two weeks of dealing with an virus that went through our household decimating everything in it’s path I’m finally getting back to something like normal. It’s interesting to me how presumably the same virus can manifest itself differently, shining a light on your weaknesses? My son and I both had respiratory problems which involved a trip to the hospital for him and a lingering shortness of breath for me. I’m still winded doing the simplest of tasks, even something as simple as walking feels like I’ve just done something strenuous. Hopefully it won’t last for too much longer.
I’m once again on the road. It was fun to see Massachusetts and all the snow that we’ve had this winter from the air. I was surprised that there wasn’t more ice in the bay but I should be careful what I wish for!
I’ve been involved in a couple of conversations recently about the value of printing your work. With most of us now using digital in one form or another there’s an overwhelming temptation to let your photographs sit on the computer, or on the web in one place or another and not be printed.
There are a number of reasons that we could debate for printing – prints have historically been the archival record – when the house is burning down you’re not going to run in and save your server, network attached storage or desktop computer in the way that you might have saved the family photo album. I’m sure everyone has their work backed up both in the cloud and physical drives at a secure distant location so this is less of a concern.
I would argue that printing does make you a better photographer though, whether your intended output is for the web or not. Prints are less forgiving than web and so you have to get it right, sharp where sharp is needed and appropriate and a file that is large enough to support the print size which forces you to ‘get it right in camera’
Even though the cost of ink jet printers has dropped substantially and the resources for obtaining a good print increased in equal fashion, making it quite possible to make good prints yourself at home, there are a number of companies that will make the prints for you. I was experimenting with the print service from Artifact Uprising while I was in Japan recently.
As I mentioned previously I’ve been using my iPhone camera as a tool to help me break out of the rut that I’ve felt that I’m in. I thought that If I could take 250 images that I like over the course of the year it ought to be possible to cull those to make a 50 image book as a record of the year. I’d heard good things about Artifact Uprising and wanted to try them out before I got to the book stage.
One morning while I was in Japan recently I had a few moments to kill and so I uploaded 5 or so images that I’d posted to instagram to the artifact uprising site using their mobile app and ordered a pack of prints. The whole operation took less than five minutes. When I got home from Japan I had a stack of amazing prints (5×5) on really heavy paper stock that I could handout to friends and family and to have as a record of the trip.
Not big prints for sure but a fun way to get my images off my phone and for me to start to look at them and really think about how they work as images. Give it a go, you won’t be disappointed.
I’ve been feeling overwhelmingly stuck and uninspired over the last few months, perhaps longer if I’m being honest with myself. That’s not to say that I haven’t had my moments but it’s been and continues to be hard going.
The usual advice that you get in these circumstances is to keep going. Work yourself out of the funk, make a lot of work and see where that leads you. My advice to myself was to play more.
After a bit of digging I realized that I was working within a particular sent of constraints that had provided a useful framework at one point but now were stifling. I needed to step back and break the rules that I’d established for myself.
Playing the camera on my iPhone has been enormously helpful in breaking one of my rules – always shoot on a tripod – it also forced me into using a single lens which made me move around and change my point of view to get the shot that I was interested in.
I also pushed beyond the boundaries that I am comfortable with in processing these images, often adding a lot of contrast, a texture, a tilt shift look, really piling stuff on until it was in a realm that was totally alien to me. I think that Brian Eno would do similar things in music production push beyond the limits but then retreat to a useful and usable position.
I’ve been enjoying playing and continue to do so. Here’s a question for you:
What ‘rules’ either acknowledged or not do you follow? How could you systematically break them.
I’d love to hear what restraints you impose on yourself.
I’ve been on the road for a couple of days and will be traveling for a few more. I’ve been using my iPhone to make ‘sketches’, to try out ideas and stretch a little. I am however also drawn to the familiar as you can see from the above image.