I was listening to an interview this morning with Paul Sanders of the website ‘Discover Still‘. Paul was formerly the picture editor for The Times newspaper in the UK. In his job he estimates that he was looking at at least 10-20,000 pictures a day and on the day of Prince William and Kate Middleton’s wedding over 100,000 pictures. That is a lot of pictures!
As photographers looking at pictures, being able to read them and then talk about them is an important part of our development. It is important to be able to move beyond I like this and I don’t like that, even more so if we are to critique our own work or that of others with the intention of making stronger photographs.
I have been looking for a simple framework that will allow me to move further on my journey of looking at and reading photographs. I was excited to come across the workshop in the video below presented by Eileen Rafferty where she describes the system that she uses. Take a look at the video below and let’s talk about it. How do you look at pictures? Do you have a structured process? Is it useful for you to talk about what you’re seeing and feeling in images?
During the break between Christmas and New Year I took a deep dive into the world of urban sketching. It’s always fun to look at the world through other view points and how other visual artists approach their work can inform how I make photographs.
Drawing, and particularly the ink and watercolor approach is something that I’ve been interested in for years. Not being able to draw always held me back from pursuing this kind of work but it is often on my radar. I particularly appreciate the looseness that is found in the work of many ‘urban sketchers’. As I have thought about this I recognize that for me the starting photograph is just that, a start, a point of departure, and how I interpret the scene could then go in many ways.
One of the artists I’ve been learning from has been Ian Fennelly. Ian is an exceptionally talented and patient teacher. You can get a sense of his approach in the video below.
His new book ‘Layers of Looking’ provides the thinking behind the work rather that being a step by step how to. I enjoyed each of the chapters, taking away something that is relevant to my work from most of them. I liked the section below from the section on the factors important to choosing a subject:
…finding something visually interesting, something that grabs me and makes me feel I can tell the story of that place.
… it needs to have a rich variety of content; interesting perspective and shapes, patterns and storytelling potential.
Have a quick look at more of the book in the video below.