What’s the weather like where you are? Here on the New England coast it’s been bitterly cold this last week – a polar vortex the weather guys seem to call it. I was in Jamestown recently to photograph around Beavertail lighthouse with the temperature cold and feeling colder because of the wind chill.
This was the first time that I’d actually gone to Jamestown with the intention of photographing around the lighthouse and, although I had prepared as well as I could, I wasn’t prepared for the difficulties that the cold would present. I was playing with the 24 mm tilt-shift lens again but what I quickly found was that I was too clumsy with gloved hands to operate the buttons and knobs that you need to work to adjust the lens. I struggled along the best that I could but was very frustrated by the time I was done.
I did however get a couple of images that I liked and managed to find a couple of fun spots that I plan to return to in the coming weeks.
One of the things that I often wonder about is ‘what does it take for the children of ‘successful’ parents to be successful in their own right?’ All too often the children of successful parents fail to step out of the shadows. Sometimes that’s by intent but I suspect more often that not it’s just that it doesn’t happen for those kids.
That clearly doesn’t seem to have been an issue for Jamie Wyeth, a third generation artist whose grandfather Newell Convers “N.C.” Wyeth and his father was Andrew Wyeth. Jamie seems to have had a somewhat unusual childhood having left school at 11 to be home schooled and to train as an artist under the guidance of his aunt Carolyn. I get the sense that while he may have had shown some talent as an artist early on that he’s really worked hard and received very open feedback on his work from one of the great american realist painters – his father. In the video below that shows him at work on ‘The Inferno’ (I couldn’t believe that was watercolors on cardboard) you hear Wyeth talk about painting being ‘drudgery’ at times but you keep working for those moments when it all comes together, a point that I have now heard many artists reiterate in their own way. The muses favor those that they find working!
Wyeth has a major retrospective exhibition going on at the MFA in Boston now until the end of the year. It looks like it would be fun to see since it pulls together all of the various aspects of Wyeth’s work in a way that hasn’t been done in a number of years. Check out the exhibition site here and hear Jamie Wyeth talking about his work below.
One of the things that I like about digital photography is how easy it is to try things out and get immediate feedback. I have heard people say that they are switching back to film because the constraints of using film force them to be more creative. For a while I almost bought that argument. I do believe that all innovation is a creative response to overcome a problem, obstacle or constraint. Why not instead of retreat to film use digital technology under a defined set of rules? The instantaneous feedback that digital offers can then be used to adapt, modify or improve upon what you’ve just done. This past labor day I was playing with my usual walkabout lens the Canon 24-104 but using it at the wide end of that range just to see what I would get. I had fun, answered some questions and ended up with the image above. If all my labors were like this they wouldn’t feel like labor!
I spent an hour or so photographing at a cove along Jerusalem Road in Cohasset last week. You lose the light there long before sunset and so I was on the road home when I couldn’t help but stop to make a few images of Minot Ledge Lighthouse caught in the warm light of the late afternoon sun.
Minot Ledge Lighthouse celebrated it’s 150 th anniversary last year. Known to some as the ‘I love you’ lighthouse because of it’s 1-4-3 flashing cycle, the 150 year old lighthouse is now up for sale under the National Historic Lighthouse Preservation Act. Hopefully the next owner will maintain and preserve this part of our coastal heritage.