As an artist Denevan creates some of the largest drawings on the planet. Working most often with sand on California beaches, but also in other parts of the world including Siberia (!), working quickly to beat the incoming tide he creates geometric patterns that because of their scale are best viewed from the air. Very impressive. Who ever said that crop circles couldn’t be man made has never seen a Denevan drawing. Check out some videos of Jim at work below.
In writing about getting ready to photograph on the road I realized that I don’t bring that level of rigor to shooting close to home and I should. Home for me is Boston’s South Shore, a region that many people, perhaps most people, zip through on their way to Cape Cod, or Martha’s Vineyard and yet there are lots of great places Hingham, Cohasset, and Scituate among them.
In looking for local photographers that fueled the fire for me I realized that the south shore is underserved by the kind of photographers and photography that I like. The Focus Gallery does a great job of highlighting Boston area photographers with perhaps Cindy Vallino and Mike Sleeper being the most local of the locals.
I do have one book on my shelves that has been good for getting ideas about potential locations – Boston’s South Shore and a quick search on amazon shows another couple of books that I ought to have on my shelves. My major tool for researching potential locations has been a combination of the satellite view tool in google maps, the photographers ephemeris and of course doing the leg work of driving to check places out. I’ve written about this kind of virtual scouting before and you can see the process that I use by clicking here.
If you do live in a location like I do, where there is relatively little in the way of resources to draw on you’re in a great position to explore the area both virtually and in person and find unique locations that few others are photographing. Go for it!
Arno Rafael Minkkinen is a Finnish photographer who has lived in the US since 1951 and currently is a Professor of Art at the University of Massachusetts Lowell. I first came across Arno Rafael Minkkinen’s work through a documentary on PBS. I can’t find this program online but it is worth checking out to watch Arno in action. His photography has a sense of whimsy to it and is often slightly surreal, reminding me a little of Jerry Uelsmann’s work. His photographs are largely self-portraits: A naked Arno (or at least the part you can see is) integrated into the landscape. What is quite interesting to me is that all of his images are captured in camera on a single frame of film. No digital hanky panky here! In looking at his work I find myself trying to work out the ‘trick’ to how he pulled it off. His camera has a cable release and a 9 second timer, which allows him to get in position before tripping the shutter and throwing the cable release out of the frame. Even so, some still leave me wondering.
Check out the video at this link to hear Arno talking about his work.
I was quite excited to find out that the image above ‘Three Beach Pilings’ was selected to be included in the South Shore Art Center exhibition ‘Photography Now‘ curated by Karin Rosenthal. The exhibition opening is April 12 from 6pm – 8pm. Please do stop by and say hello if you’re in the area.
I’m back home after a cool and crazy time in Missoula last week. Hanging my show ‘Going Coastal’ went relatively smoothly, Alyssa and Melanie from RMSP were a huge help in getting the prints up on the wall and in dealing with the problems that cropped up along the way. I even got my name on the window out front. The RMSP staff are terrific and I’m looking forward to having a chance to go back later in the summer.
Increasing I find that while I’m happy to get up for the sunrise, I’m often less than pleased with the results. The vibrant colors that come with the early morning sunrise are increasing dissatisfying. While I can’t quite put my finger on why, purple bugs me the most. While I deal with my issues with purple, the most ‘European’ of colors, I’m trying out many of my images in black and white to see whether they can stand up on there own. I’m not totally sold on this solution but I’d be interested in your opinion of the black and white image above with the color ‘before’ image below.
‘There’s no such thing as bad light, only light that’s inappropriate for the subject you’re shooting’.
Increasingly I’ve found that I limit my photography to the edges of the day. That’s not necessarily a bad thing but it is restrictive. Choosing the margins of the day for photography is largely because I have yet to figure out how to get the kind of pictures that I like in full sunlight without carrying around diffusers and other bits of gear. This doesn’t stop me from carrying a camera though. I’m particularly interested in what light works for what subjects.
I was pleasantly surprised that the reflections that I caught above we’re taken at noon on a bright sunny day. Something to store away for future reference. Naturally I’ll be back at this harbor, and others, on bright days looking for more of these reflections.
I carry a camera around with me all the time, whether it is my iPhone, pocket digital – canon G10, or a DLSR. The more I look for images the more I find and with tools to capture them easily to hand the more likely I am to stop and try something. When I’m with others this is met with reactions that range from curiosity regarding what I’m seeing, tolerance for the tourist to outright disdain. Disdain, perhaps because I’m supposed to be paying attention to something else or that I’m not following expected norms of behavior. Breaking the rules, the photographic rules that is, is something that I’ve been thinking about recently. Something that has been encouraged by the photographs I’ve been taking with my iPhone. As a beginning photographer, you’re told shoot on a tripod, if you’re hand-holding then use a shutter speed of at least 1/focal length. I certainly have been interested until very recently in making photographs that are a sharp representation of life in front of the lens. When I was out walking this past weekend I was surprised at how low the light was even though it was the middle of the day. In order to achieve a shutter speed that would allow for a sharp image I had to be at a wide open aperture and iso 800. Which made me wonder what if I pushed in the other direction what would that look like. I played until I got a shutter speed of 2 secs and then looked to see what I could do. It was a fun exercise and one that I’m likely to repeat in the future. The image that I liked the best from the set is the one above. It really gives me the sense of water rushing by. What do you think? Any other fun exercises to keep things interesting?
As I mentioned earlier in the week, my attempts to head north for some fall foliage photography this year have been thwarted. Instead I’m making the most of the local color using both my regular DSLR and the iPhone. I am working up a set of iPhone photographs made using the lomography workflow I described in a previous post. I’m not sure where I’m going to go with the project but I’m having fun and starting to develop an idea about how the photos should look rather than relying on what the presets give me. Often this means that I’ll initially process the image and then as I live with the original processed image for a while I’ll find things that I want to change. This was certainly true of the image above that was taken just in front of my house. This image is now into the third iteration of edits. I’m finally liking it as it is, although digital editing means that it is way to easy to go back and tinker some more.