I’ve been spending sometime with Bill Neill’s new book ‘Light on the Landscape‘ which is a collection of the essays from his column in Outdoor Photographer magazine, paired with his magnificent images. It’s a fantastic resource for those of us who are more interested in the creative aspects of photography, the why rather than the how. Have a quick glimpse in the flick through video below.
For those of you not familiar with Bill, he got his start in photography working at the Ansel Adams gallery in the ’80s where he got to know Ansel and some of the people that were in his orbit – John Sexton, Alan Ross and Joel Meyerowitz to name but a few. Although he has been based in the Yosemite area for the last 40+years his photography has avoided the potential cliches of the area and shows what is really possible when you are true to your own sensibilities.
I was fortunate to take a portfolio development class online with Bill a long, long time ago. It was excellent! He was patient, engaging and a wealth of information. I was just starting my journey into photography at the time and was just entering what has been a long and steep learning curve. He introduced me to photographers such as Ernst Haas and the seminal book The Creation and to Eliot Porter and his intimate landscapes. I learned from Bill how much you can get from having subjects close to him that you can return to at different times of the day, different weather and different seasons. How to really work a scene; how to find not just the obvious shot but to really explore what the scene and subject really have to offer.
I was delighted then to come across the recent interview with Bill on Alister Benn’s YouTube channel. Many of these topics come up in the discussion between Bill and Alister and others that I hadn’t heard Bill talk about. So check out the interview below and to learn more about Bill visit his website here.
Arno Rafael Minkkinen is a Finnish photographer who has lived in the US since 1951 and currently is a Professor of Art at the University of Massachusetts Lowell. I first came across Arno Rafael Minkkinen’s work through a documentary on PBS. I can’t find this program online but it is worth checking out to watch Arno in action. His photography has a sense of whimsy to it and is often slightly surreal, reminding me a little of Jerry Uelsmann’s work. His photographs are largely self-portraits: A naked Arno (or at least the part you can see is) integrated into the landscape. What is quite interesting to me is that all of his images are captured in camera on a single frame of film. No digital hanky panky here! In looking at his work I find myself trying to work out the ‘trick’ to how he pulled it off. His camera has a cable release and a 9 second timer, which allows him to get in position before tripping the shutter and throwing the cable release out of the frame. Even so, some still leave me wondering.
Check out the video at this link to hear Arno talking about his work.
I’m in the Pacific Northwest this week to attend a workshop with Art Wolfe. It was through researching potential workshops with Art that I came across Jay’s work and have been following his blog for a couple of years now. His outdoor work, covers a wide spread of nature, landscape and adventure photography but he also builds on his architecture training to make some stunning photographs of buildings. Goes to show that the more you know your subject the better the photographs will be.
It’s hard to know the person behind photographs when your interaction has been purely electronic stalking but Jay’s about page reinforces the notion that I had of a pretty mellow, if not passionate and intense guy. Do all those fit together I think so. Get a sense for yourself in the interview with Jie from an episode of ‘Framed‘ last year.