I first came across Robert Adams when I was looking for the answer to the question ‘why do people photograph’ and found his book ‘Why People Photograph‘ and then later I came across his book ‘Beauty in Photography‘. These small books are collections of essays covering topics such as collectors, humor, teaching, money and dogs and discussions of Photographers such as Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Dorothea Lange, Ansel Adams, and Minor White. I have enjoyed reading these books and get something new out of them as I reread them with a deepening understanding of photography as an art.
Why People Photograph must have been on my bookshelf for almost as long as I’ve been taking photographs, almost 10 years now, and yet it was only last year that I realized that Robert Adams can not only write but he is a well know photographer too! How many other holes in my appreciation of the history of photography could you drive a truck through?
I’m at my beginning of my exploration of his work, and I’m doing so by starting with his most recent projects first. Photographs taken around his home near the Oregon coast of the forests, coastline and meadows, very different subjects to the photographs of the American west increasingly spoiled by the urban sprawl that brought him to prominence. This work can be found in ‘The New West‘ a new edition of which will come out in the summer.
One of the projects that I set for myself this year is to create 250 ‘instagram’ images. Not necessarily to post 250 images to Instagram but to finish 250 images taken on the iPhone and processed using apps. That means ~ 60 images per quarter. It’s been an usual start to the year which was the major driver for me reaching the 100 mark last week.
Looking back over the images is see that I clearly have a preferred color palette as well subject matter. My 100 a images are an eclectic collection of mostly color abstracts and landscape images.
The image above, taken on the last day of a short trip to Portland, is a clear outlier. Without exception the other 99 are all of subjects outside, even if they were taken from the warmth of a coffee shop the subject was outside.
I doubt that there will be more like this – never say never – but it does make me wonder why I haven’t been shooting indoors more and what it would look like if I did.
I was pleased to find out recently that the image above ‘After the Storm’ was selected to be included in the on-line annex portion of the Black and White: 2014 exhibition at the Black Box Gallery in Portland. The show opens Friday Sept 5, but images are up on the web now.
This is one of those images that almost never was. There are times when I ‘see’ images that I have to make even though they don’t fit follow the ‘rules’ of photography. In fact, depending on how quick or slow I am there is an internal battle that happens prior to taking the photograph that argues whether this image is interesting and why and whether I should even bother. If I’m fast enough I just take the shot and move on. If I’m too slow, fiddling around with a tripod, getting the right lens etc. there’s time for the doubts to start to take hold. With time, I’ve learned to listen to the doubts, acknowledge them and then take the shot anyway.