Virtual Photo Tour: Nostalgia Edition: Part 1 – Yorkshire

Paul Hart: Windy Corner, 2013

Like many of you I’m starting to get itchy feet. 2020 was the first year that I did not get in a plane in a long while and 2021 has started off looking like travel will be limited this year too.

That got me thinking about all the places I would like to visit. So this is the first of what I’m calling ‘virtual photo tours’ where we explore some of the places I want to visit and highlight who might be good companions for our trips. For our first photo tour I wanted to go ‘home’ and explore with a camera places from my past.

First up Yorkshire. I grew up in a very flat part of Yorkshire, on the border of the old East and West Ridings. Paul Hart’s images of The Fens, such as the one above, could have been taken in this area rather than in East Anglia. They really remind me of foggy Sunday mornings driving around to play football against the neighboring village team.

The river Don flows through the village I grew up in. Growing up I heard stories of epic flooding in the local area. Those times seem to have returned as you can see in the footage below.

Let’s head out to the Yorkshire Coast next and take a drive up from Filey to Robin Hood’s Bay, Whitby and finally to Staithes.

I spent all my summers at the beach in Filey and I’m looking forward to returning with my camera soon. My uncles used to keep their fishing boat just to the left of the little hut in the image below.

The Lifeboat Station Project: 12×10 inch Clear Glass Ambrotype by Jack Lowe The view from Filey RNLI Lifeboat Station, 11th June 2017

As places do, Filey has changed a lot since I was a kid. The fishing boats on cobble landing are essentially gone and there is talk of closing the lifeboat station. What a travesty.

View of Filey Bay

The Brigg – the land that juts out into the sea in the image above has lots of possibilities. You have to be careful though – the tide comes in quick and it’s easy to get cut off.

After a stop in Robin Hood’s Bay lets stop at Whitby. I’ve only been to Whitby a few times. It’s famous as the place where Captain Cook learned seamanship and connections with Bram Stoker’s Dracula. It’s also the last stop on the North Yorkshire Moors Railway. When I think of Whitby I think of the breakwaters that guard the entrance of the harbor shown in the image below.

https://www.discoveryorkshirecoast.com/whitby

Adam Karnacz of First Man Photography gives a great tour of the sights of Whitby in his video below and also a tutorial of long exposure seascapes too!

On to Staithes! I’ve never been to Staithes and only know it from the Joe Cornish images of the harbor below. I can wait to visit, especially at different times of year. What a difference a coating of snow makes!

Joe Cornish: Staithes
Joe Cornish: Staithes

Listen to Joe talk about the image at the top and how he thinks about preparing the image for print in the video below.

Perhaps we could get Joe Cornish or Adam Karnacz to join us for our coastal adventure or better yet the two of them together they clearly have great chemistry in the video below.

For the final leg of our nostalgia edition photo tour I want to visit Snowdonia. More about that next time.

Friday Inspiration: Paul Hart

I had a hearty dose of nostalgia when I first came across the work of Paul Hart. I grew up in the north east corner of South Yorkshire, close to the borders of East Yorkshire and North Lincolnshire. The mining village where I lived was surrounded by farm land and so biking out of the village in almost any direction I would see vistas such as the one above.

Paul Hart has published three books of his work – Truncated, Farmed and Drained. Farmed and Drained are the first two books in what will eventually be the Fenland trilogy. Francis Hodgson in the preface to Drained describes his work this way “Paul Hart is a photographer interested in the slow harvesting of hidden truth from the ordinary places that most of us pass by”.

His images have a special resonance with me. I wouldn’t have thought to stop and take photographs of what for me was the everyday but I wish that I had. The view from our upstairs window used to be across a farmers field, the canal and the river with an odd little house on the bank between the two. I have no idea if the house is still there because the housing estate that has sprung up on the fields obscures the view. Paul’s work reminds me that as photographers we have a duty to photograph our everyday as well as the spectacular scenes.

The Bio on Paul’s webpage tells us that he’s working with ‘cumbersome analogue equipment in and unfashionable area’. I’m personally glad that he is and hope he keeps at it.

Check out more about Paul here and listen to him describe his truncated series below.