When I took a dive into the world of Urban Sketching over the Christmas break I came across David Gentleman. Actually having grown up in the UK I had seen David Gentleman’s work many times before, on stamps and also on Charing Cross Underground Station in London. David has been incredibly prolific over the course of his career – working in watercolors, wood engravings, illustration and design. He’s created stamps, coins, cards, books of his own work, illustrated books for others, murals it goes on and on. Impressive and something for us all to aspire to.
David lives in a part of London called Camden Town and his studio is at the top of the house. Check out a tour through his studio here. Most of David’s books are out of print, some of which go for a shocking amount of money used. I’m fortunate enough though to have a couple of his books – the most recent one is ‘My Town: An Artist’s Life in London.’ Check out Danny Gregory talk about David’s Book Britain in the video.
Finally listen to David himself talk about his life and his book ‘London, You’re Beautiful: An Artist’s Year’ in the video below. To find out more about David Visit his website here.
I am an unabashed striver – I want to continue to learn and grow in everything that I do. I am continually looking for ways that I can push myself and my work forward. I’m finding that one effective tool for this is my notebook.
As I said here I have multiple notebooks that I use for different purposes. Perhaps the most important notebook is the one that I carry around with me which is the notebooks I have in the Paper Republic Grand Voyager Pocket. This notebook allows me to capture ideas in the moment, to note the things that catch my attention and could be useful later.
My notebook is a ‘sandbox’ where I can play – develop ideas, ask questions and generally go down rabbit holes. It is a place where I can reflect on the photographs that I’ve been making, the things that I’m noticing and the choices that I’m making. Are there connections that I didn’t recognize in the moment that with some time and space become apparent?
It’s a place where I can make notes on some of the composition and post-processing experiments I’m trying. This week for instance I’m trying out split toning again and also playing with using tree branches to frame subjects. One example is shown below.
My knowledge is fragile in these early stages and if I don’t write things down I am likely to have forgotten what I was trying when I look at the work later. The very act of writing, physically using a pen on paper also helps me to remember more effectively.
My notebook is also a good place for me to write about the other photographers and artists that I’m paying attention to and what lessons I’m drawing from their work. How can I apply these to my own work?
This is not an onerous process that takes ages – just a few minutes reflection when I have the time. More if I have more to say and the time to say it in.
I hope you are capturing your process and having fun doing it. I’d be interested in hearing about how you use your notebooks to develop ideas and projects.