I’ve been enjoying finding photographers that are new to me and exploring their work. I recently came across Gerry Johansson, a Swedish photographer known for his black and white photographs of what would otherwise be unremarkable places.
Gerry has a ‘geographic’ focus have produced books of work from photographs taken in America, Sweden, Germany, Antarctic and Tokyo. I like his thinking in that the book is really the tangible product of his work because exhibitions are too fleeting. Gone after a couple of weeks.
He clearly has a love of photography books as you can see in the video below of Gerry in his studio going through some of his photo book collection.
I wonder whether the books that he selected to discuss influenced his decision making about his own books which are often relatively small by some standards. I think that these smaller books, smaller prints and images call for a closer engagement with the work and for a more intimate experience.
Gerry talks about his work in the video below. The audio is in Swedish, if you don’t speak Swedish there are captions in English so that you can follow along with the conversation. Check out Gerry’s website here to learn more.
When I was recently on my Nordic exploration one of the photographers I came across was Jan Tove.
It never fails to amaze me how many amazing photographers there are in the world – you just have to go digging a little.
I feel like Jan is relatively unknown in the US which is a shame because his work deserves a much wider audience. A professional photographer since 1994, his work explores the intersection of man, nature and society.
I was excited to read that Jan has published 14 books, perhaps more now, and I’m currently on the hunt for a few of these to learn more about his work. From the essay in Faraway/Nearby we learn that Jan had originally risen to prominence taking more traditional landscape photography but made a pivot to explore the intersection and impact of man on the landscape. While this could put him into the ‘New Topographic’ realm of photography with the likes of Robert Adams and Steve Shore I find his work to be more accessible. I have seen the term visual poetry used in a number of places to describe Jan’s photography, I would certainly agree that there is a calm presence in all of his photographs, and looking through Faraway/Nearby again just now, a depth that draws me in. I will continue my hunt for more of his books here in the US but until then check out his website for portfolios of the work presented in the books and enjoy the flip through below of Faraway/Nearby and Night Light.