Friday Inspiration: Elizabeth King

Pupil Pose 1

“Process saves us from the poverty of our intentions.”

I am currently reading Seth Godin’s new book ‘The Practice’. More about that when I actually finish it. I was struck by the quote in the front of the book from Elizabeth King shown above and went on a hunt to find more about her. Frustratingly I couldn’t find the exact source of the quote but many people who attribute it to her but the journey was fun.

Elizabeth King is a sculptor who taught at Virginia Commonwealth University for 30 years before retiring to focus on her work. She is best known for her figurative sculpture that she combines with stop motion animation. Perhaps remarkably she was creating the articulated sculptures that were perfect for stop motion animation long before she had the idea for animating them.

I am always fascinated to watch artists at work, regardless of the medium that they work in. The behind the scenes look that you get in Olympia Stone’s documentary “Double Take’ is a real treat in this regard. It shows Elizabeth at work in her Church Hill studio as well as installing her work at various shows.

What is evident in the documentary is her attention to detail. She really cares about getting the sculpture right, capturing the imperfections in joints on the hands of her sculptures so that the fingers end up a little wonky. I thought she was describing my fingers as she described this detail in the documentary. She’s clearly looking and not just going through the motions and means that her sculpture stands up to the closest of scrutiny.

Of course her attention to detail doesn’t stop with the creation of the work. It’s interesting to see how much attention she puts into the installation to make sure that the pose of the sculpture is correct and that the lighting is just so to provide the correct emphasis to the face and hands. This is what separates masters from the journeymen.

Check out more or Elizabeth’s work at her website here and listen to her describe her work in the videos below. You can watch the full documentary at amazon.

Friday Inspiration: Brooks Jensen

Brooks Jensen, Winter Trees, Mt Erie, Fidalgo Island, Washington, 2003

When I was thinking about what I had learned in the Portfolio Development class with William Neill, one of the things that I was reflecting on is how much you can learn from the other students. A good group that are freely sharing their previous experiences, understanding and viewpoint can really support your growth.

One of the students in the class turned me on to Lenswork – a magazine that I had never heard of and certainly wasn’t carried in the local bookstores at the time. I eventually ended up getting a subscription so that I could see what it was all about. Lenswork is a bimonthly magazine that emphasizes photographs not gear and is exquisitely printed – book quality printing. From what I understand the emphasis on photographs is very similar to the principals that were at the heart of Aperture Magazine when it was established and under the guidance of Minor White. To see some of the early issues check out this anthology.

The editor, Brooks Jensen, is an accomplished photographer and his work can be found at his personal site, Brooks Jensen Arts. The image above is from Brooks’ first Winter Trees portfolio – you can download a pdf of the portfolio here. I continue to be fascinated by this image – it has a depth to it, a three dimensionality, that I have not experience in any other photograph. I was fortunate enough to be able to get a print of this image when Brooks was still selling individual images and it is even more stunning in the flesh, as it were.

Brooks’ thinking about photography that he shares through his writing and podcast have had a profound impact on my thinking about the ‘photographic art life’. He makes really great points about in his article about what size should editions be, has suggested multiple ways of presenting your work to your audience including, Folios and Chapbooks and additionally was an earlier adopter of PDFs. I have learned a tremendous amount from Brooks and think you would too. Go take at look at Lenswork, Lenswork online and Brooks Jensen Arts. Listen to the interview with Brooks in the interview below.

Friday Inspiration: Thomas Joshua Cooper – The World’s Edge

“Looking towards the Old Lands.” Thomas Joshua Cooper

I’m currently thinking about projects that I can engage with while travel is restricted and we are locked down. I feel like a good photography project, one that will keep you engaged for a while, is one that is multi-dimensional, one that engages multiple areas of your interest.

Thomas Joshua Cooper certainly found this with his Atlantic Basin Project. The ambition of this project was to chart the Atlantic Basin from the extremity of land north, south, east, and west. An enormous undertaking and one he has been engaged with since the end of the ‘80s. Longer than he’s been married and a project older than his kids!

The work recently reached completion with the publication of ‘The World’s Edge‘ and the exhibition at the Los Angeles County Museum of Art.

I find the work absolutely captivating, although I struggle to put my finger on what it is about his photographs that draws me in. The subject matter appeals to me. I enjoy being at the coast, I’m awed by the power of the ocean and can’t help but feel that the transition from land to water is a place of great possibility.

The images of Thomas Joshua Cooper for this project are abstractions with no real sense of place, not grand vistas but truly what it would feel like if you were stood at the edge of the land looking out to the sea. Often they appear to be long exposures, giving movement to the water which really gives you a sense of dynamics. There are images that provide visual breaks – the images taken during white out conditions on Antarctica or those taken during the winter solstice at the North Pole.

If you only get one book from this project get ‘The World’s Edge‘ if you want to dig deeper you could explore The Point of No Return, Eye of the Water Ojo De Agua, or True that represent images from major sections of the work. Watch the video below to hear Professor Cooper provide an entertaining and engaging description of his Atlantic Basin Project.

What Would You Do If No One Was Looking? And Oh By The Way They Aren’t!

I woke up thinking about:

‘What would you do if no one was looking?’

And

‘What would you say if no one was listening?’

The answer for me is the same as if someone was looking and was listening. It’s about staying true to your values and having integrity.

About making the things that you want to make because those are the things that you need to make.

There’s freedom and opportunity in such a space. No constraints resulting from the expectations of others. No ties or obligations to what’s gone before preventing you from striking out in a new direction.

Certainly something to think about as we get going this week.

How about you? What you you do if no one was watching or so say if no one was listening?

Friday Inspiration: Rachael Talibart

I must have been living under a rock to only recently have found Rachael Talibart’s seascape work. She is perhaps best know for her Sirens photos, a series of storm waves named after mythological beings. A book of the same name was published by Triplekite Books in 2018. As an aside I can’t believe I missed this book since I thought I had all of the books that Triplekite had published. I found her work through the recently published book, Tides and Tempests, that further explores her interest in storm waves but also the coast in general.

It sounds like Rachael has had a lifelong relationship with the sea having grown up on the South Coast of England, spending time as a child on the family sailboat. She describes herself as a poor swimmer and a poor sailor who is happier and safer viewing the ocean from the shore. Reading between the lines in the introductory essay to Tides and Tempests it sounds like she had lots of ‘fun’ on the sailboat as a child. These episodes really do shape your life both as an adult and as a child, either pushing you away or drawing you in. Personally I’m glad that she is drawn towards the ocean and chooses to capture the majesty, power and potential that the ocean offers. Check out more of Rachael’s work on her website here.

Also check out the videos that Rachel put together below. Scroll all the way to the bottom to hear Rachel talk about her work and her process.

Check out the mini-documentary/interview with Rachel that Sean Tucker put together below. Sean is worth a ‘Friday Inspiration’ slot of his own. Until then check out his YouTube channel here.

Friday Inspiration: Joesp Pla-Nabona

I recently came across the work of Josep Pla-Narbona – a graphic designer, painter and sculpturer. Born in Barcelona, Spain, in 1928, he worked with advertising agencies early in his career producing work such as the advertising poster above. Many of his posters from this time remind me of some of the board books that we read to the kids when they were younger. In the second part of his career his focus has been on engraving, painting, drawing and sculpture.

I found the video below first and enjoyed Josep’s playfulness and thought that he was worth looking into further. Check out the video below (you may need to turn the subtitles on !) and learn more about his work here.

Friday Inspiration: A Conversation with Ed O’Brien

I’ve been taking a deeper dive into the guitar again in recent months and have enjoyed the unabashed geekery from the ‘That Pedal Show‘ guys. I’ve also learned a lot over the course of the many episodes of the show that I’ve watched, although I don’t have the ears that Mick and Dan have to discern the nuance in the various amps and pedals that they discuss.

I wanted to share this particular episode with Ed O’Brien one of the guitarists from Radiohead because I really enjoy listening to creative people at the top of their game talk about their process. There are many parallels between the various creative arts that I think that we can learn from and apply to our work some of the ideas from other disciplines.

If you’re not interested in the guitar stuff skip ahead to 17:17 which is about where Ed starts talking about his process.

Friday Inspiration: Ellie Davies

The image above is from Ellie Davies ‘Stars’ portfolio created by combining images of the forests of southern England with Hubble telescope images. For many forests are magical fairytale places for others, myself included, they are dark and scary places. Yet I find the Stars series of images compelling, they draw me in, make me want to step forward and cause me to look closer.

I have been thinking about how a single theme can be developed and extended – Ellie’s projects are a great case study. Silent, Deep and Dark serves as an entry point, both literally and figuratively, into the forests. This body of work explores the forest boundaries – the edge between outside and inside, light and dark. From here Ellie begins to interact with the forest, weaving patterns with wool, highlighting pathways with paint, powder, wool and paper, building structures that are reminiscent of barnacles or anemones, incorporating stars and most recently suggesting the presence of people by the introduction of fires.

Watch and listen to Ellie describe here work below and find out more about here.

Friday Inspiration: Victoria Sambunaris

sambunaris

After running through a string a contemporary landscape photographers in recent weeks I could help but recognize that all of these were guys which made me wonder who were the women active in this genre. It was then that I remembered the fabulous book by Victoria Sambunaris, ‘Taxonomy of a Landscape‘ that I had recently came across. The book documents a decade long exploration of the American landscape and our place in it. In fact it’s two books, the companion volume collects the associated research materials and other bits and pieces that Sambunaris accumulated during the course of the project. A fascinating behind the scenes look into her process.

For more information on Sambunaris and her projects check out the video here and the embeded video below.

Victoria Sambunaris lecture, February 7, 2013 from MoCP, Columbia College Chicago on Vimeo.