I first came across Robert Adams when I was looking for the answer to the question ‘why do people photograph’ and found his book ‘Why People Photograph‘ and then later I came across his book ‘Beauty in Photography‘. These small books are collections of essays covering topics such as collectors, humor, teaching, money and dogs and discussions of Photographers such as Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Dorothea Lange, Ansel Adams, and Minor White. I have enjoyed reading these books and get something new out of them as I reread them with a deepening understanding of photography as an art.
Why People Photograph must have been on my bookshelf for almost as long as I’ve been taking photographs, almost 10 years now, and yet it was only last year that I realized that Robert Adams can not only write but he is a well know photographer too! How many other holes in my appreciation of the history of photography could you drive a truck through?
I’m at my beginning of my exploration of his work, and I’m doing so by starting with his most recent projects first. Photographs taken around his home near the Oregon coast of the forests, coastline and meadows, very different subjects to the photographs of the American west increasingly spoiled by the urban sprawl that brought him to prominence. This work can be found in ‘The New West‘ a new edition of which will come out in the summer.
It never ceases to amaze me how small our world now is. That we can easily get on a plane and travel to almost anywhere, even some of the most remote places in the world, is something that continues to fascinate me. Many of my photographer friends have been to the polar regions of the world, particularly Antarctica, and the discussion between them is when they are going to go back.
Being in the presence of ‘big ice’ has yet to capture my imagination in a way that pulls me to the ends of the earth. Until the time that it does I’m happy to enjoy the work of photographers such as Camille Seaman who have spent time in these places.
Camille is part Shinnecock Native American Tribe and is using photography to explore her connectedness with the world, which in many ways is an extension of the things that she was taught by her paternal grandfather. Her 10 years of visits to the Arctic and Antarctic have been collected into a book ‘Melting Away‘ that is well worth spending some time with.
See Camille talking about her polar project ‘The Last Iceberg’ in the TED talk below. Also see Camille share a few few thoughts on her process as well as a longer talk that gives more detail on her background as well as her projects.
When I first saw the work of Natalie Dybisz aka Miss Aniela a number of years ago now I was absolutely floored. At the time I was still relatively naive with regard to the possibilities of what could be created in Photoshop and had imagined that her surreal imagery were not just a product of a fertile imagination but also prodigious camera skills. The fluency with the tools is certainly there but it a solid understanding of how to shoot so that the required elements are available for the final construction in photoshop. Take a look below to see Miss Aniela at work and to hear her talk about her process.
As I look around for ‘how to’ resources for lightroom and photoshop one of the people that I continually come back to is Julieanne Kost. Julieanne is the Principal Digital Imaging Evangelist for Adobe Systems, which means that she spends much of her time on the road speaking at conferences and teaching how to get the most out of lightroom and photoshop. I recently worked through her ‘Advance Photoshop Layers‘ course on the CreativeLive site which was excellent. She’ll be teaching during the upcoming Photoshop week on CreativeLive which will be worth checking out.
Many of the examples that Julieanne uses during her demonstrations are from her personal projects. Her book Window Seat is quite interesting and now available as a digital book. Well worth a look. It’s the photoillustrations, such as the one above, that of course really capture my attention given my interest in assembling images from parts. Check out the videos below to see more of how these are constructed:
Often as a beginning photographer you will hear the admonishment, ‘get it right in camera’, this is good advice when your starting out. It provides a restriction, a box to work in, and edges to push up against. It forces you to think about what is the subject, how do you frame the subject so that everyone knows what the subject it, are there lines that you can use to lead the eye through the image and on an on. A multitude of decisions to make on the fly that with practice become second nature, an instinct and perhaps one of the reasons that it can be so hard for some to teach what they are clearly so capable of doing.
I find that I am increasingly less interested in getting it right in camera and more interested in making sure that I’ve captured enough of the scene in front of me to be able to recreate what I felt when I was there. I’ll shoot different shutter speeds to capture waves with just the right amount of blur, I’ll focus at different points in the image so that I can get good front to back depth of field and I’ll shoot a lot of frames. I’ve actually been doing this for a while and it’s taking some time for my post-processing skills to catch up with what I’d felt and imagined I would be able to create when I was stood in various places around the world blasting away.
Brooke creates worlds that ‘she wishes we could live in, where secrets float out in the open, where the impossible becomes possible’, often using herself as the model for the photograph. She is able to create these new worlds using relatively simple techniques in photoshop.
Looking at some of the behind the scenes videos on her You Tube channel made me realize how much you could do if you just understood just a few of the tools in photoshop deeply. Watch Brooke in action and hear her talk about her work and process in the videos below.
I’ve been thinking about creativity a lot in recent weeks, about ‘making’ images rather than ‘capturing them’ and about realizing your voice. To me Keith Carter’s work and particularly his evolution as a photographer is an interesting case study in this. His subject matter is wide ranging but most often draw the his surroundings in his native Texas – the children, people and animals. His approach seems to me at least to have evolved substantially over the years from relatively straight photography, to (mis)use of a tilt shift to give interest shallow depth of field effects to the increasingly grungy images of recent years.
I was interested in the video tour of his house below to hear and see that he deosn’t follow the often heard suggestion of live with your work but rather he surrounds himself with the things and work from others that inspire him and fill the well. Check out the tour of his house, the profile of Keith and finally listen to him talk about his work and his evolution as a photographer in the videos below.
In continuing my exploration of Japanese photographers I recently came across Nobuyuki Kobayashi. Kobayashi may be most well known for his work in magazines as a portrait photographer or for his humanitarian work but what caught my attention were his black and white landscapes. Landscape might be the wrong word, since for many it evokes the grand view and Kobayashi’s work offers a much subtler take on the land. He feels that he is taking portraits of the Gods and this delicate approach certainly comes through in the work of his that I’ve seen so far.
I find his process intriguing – use of an 8×10 large format camera, film and printing on traditional Japanese paper, washi. I’ve tried printing on washi in the past and found that the heavy intrinsic texture works against many subjects but Kobayashi seems to be making it work. It rails against the increasingly small format, mirrorless digital cameras and yet his choice of materials that should last for hundreds of years supports his goal of using photography as a tool to preserve the beauty of the natural world.