I was simple stunned when I first saw Mitch Dobrowner’s photographs of storms in Lenswork – the image above only scratches the surface of this unique body of work. It’s been interesting to follow the increase in awareness of Dobrowner’s storm photographs over the last few years which has included everything from stories in Wired magazine, National Geographic Magazine and coverage on CNN and ABC. A book of the storm photographs was published by Aperture in Sept. of 2013.
Listen to Mitch describe his work and see him in action below in the video below and click on the link to hear his artists talk at the photo-eye gallery.
I find that I frequently return the work of photographers that have previously caught my attention. Edward Burtynsky is one such photographer. I had previously highlighted the retrospective of his work called Manufactured Landscapes and was pleased to see that he has recently completed a new project called Water.
One of the things that I am curious to see when I’m looking at new projects from familiar photographers is to see how their process has evolved, if at all. With Water, Burtynsky is no longer considering gravity as a constraint and uses a variety of tools that allow him to get the shot that he’s imagined, regardless of the vantage point. I’m not sure that I would be up for putting a Hasselblad on a model helicopter, especially after seeing Chase Jarvis’s experience, but sometimes you’ve got to do whatever it takes. Click on the link below to see a behind the scenes video of the making of Water.
Sebastião Salgado’s new book Genesis was waiting for me when I got home from vacation. It’s an amazing book, that represents the culmination of an almost 10 year project to photograph mountains, deserts, oceans, people and animals that have so far escaped change the onslaught of modern society. The book, it’s 517 pages !, is organized geographically into five chapters : Planet South, Sanctuaries, Africa, Northern Spaces, Amazonia and Pantanal. As you might expect if you know Salgado’s work the photographs are lush black and white.
I’m always on the look out for how artists represent the ocean and in that search recently came across Wolfgang Bloch‘s work on the web and in his book ‘Wolfgang Bloch: The Colors of Coincidence‘. Wolfgang is a California based painter who has an interesting approach – he uses juxtaposition of materials as the substrate for his paintings which are often two solid fields of color with a breaking wave at the meeting of those fields. His work is subtle and quiet and looking at it I can easily imagine being along on a stormy beach looking out to sea. Check out more of his work here: www.wolfgangbloch.com and listen to Wolfgang talking about his work below.
I must say that I was glad that I did. His book covers both his personal and commercial work and gives what seems to me to be a pretty decent look behind the scenes at how he approaches shooting. Much more interesting to me were the videos that Cale Glendening produced of some of Joey’s trips to make the personal work. I was impressed with the time that Joey puts in to get to know his subjects and his willingness to go the extra mile to break down barriers and build relationships. Well worth a look. Look out for Cale getting a traditional Mentawai tattoo. Check out the videos below.