It’s amazing to me how quickly the days go by and how little I remember of them. A little bit like the conversation with teenagers at the dinner table – what did you do today? Nuthin… it’s so easy to let the day go by and not hang on to any of it.
This has been especially so in the last year where every day has felt like the same. To combat this I have gotten into the routine of logging my days. Nothing spectacular just a few notes at the end of the day to capture what I did. It’s a little bit Austin Kleon and a little bit bullet journal.
I also like to capture my energy level and focus and also what was the highlight for the day. I have a template that I made for Evernote that makes setting all this up pretty easy.
I find that on the days where I have taken a photograph I can reconstruct what I was doing, what mood I was in, what the weather was like and on and on effortlessly. The photographs immediately take me back. I can’t help but think that this is because I am usually very ‘present’ when I’m photographing while I’m thinking about what’s next, racing ahead through my day, when I’m not.
How do you slow time down to relish and remember your days?
When I was thinking about what I had learned in the Portfolio Development class with William Neill, one of the things that I was reflecting on is how much you can learn from the other students. A good group that are freely sharing their previous experiences, understanding and viewpoint can really support your growth.
One of the students in the class turned me on to Lenswork – a magazine that I had never heard of and certainly wasn’t carried in the local bookstores at the time. I eventually ended up getting a subscription so that I could see what it was all about. Lenswork is a bimonthly magazine that emphasizes photographs not gear and is exquisitely printed – book quality printing. From what I understand the emphasis on photographs is very similar to the principals that were at the heart of Aperture Magazine when it was established and under the guidance of Minor White. To see some of the early issues check out this anthology.
The editor, Brooks Jensen, is an accomplished photographer and his work can be found at his personal site, Brooks Jensen Arts. The image above is from Brooks’ first Winter Trees portfolio – you can download a pdf of the portfolio here. I continue to be fascinated by this image – it has a depth to it, a three dimensionality, that I have not experience in any other photograph. I was fortunate enough to be able to get a print of this image when Brooks was still selling individual images and it is even more stunning in the flesh, as it were.
Brooks’ thinking about photography that he shares through his writing and podcast have had a profound impact on my thinking about the ‘photographic art life’. He makes really great points about in his article about what size should editions be, has suggested multiple ways of presenting your work to your audience including, Folios and Chapbooks and additionally was an earlier adopter of PDFs. I have learned a tremendous amount from Brooks and think you would too. Go take at look at Lenswork, Lenswork online and Brooks Jensen Arts. Listen to the interview with Brooks in the interview below.