“Inspiration Is for Amateurs—The Rest of Us Just Show Up and Get to Work”
I’ve been thinking a lot recently about how small changes in habits can have a profound impact in what we are able to achieve across all aspects of our lives.
Mason Currey‘s book ‘Daily Rituals‘ is an interesting collection of observations of the daily routines of many of the great creators and provides an interesting insight into the lives of people who need to develop a body of work. What is apparent across almost all of these examples is commitment to showing up and getting to work. Not too much lolling around waiting for the muse to visit, just simply a matter of putting in the time whether they feel like it or not.
This attitude of ‘show up and do the work’ makes me realize that doing something every day, regardless of how small it is will could eventually yield substantial results. The simple act of writing 500 words everyday will mean that you will have written over 25,000 words for the year. Not too shabby.
A photo a day projects were very popular a year or two ago and seem to be unsustainable to me but doable for a month or one photo shoot a week for a year would both result in a body of work that you could do something useful with.
Changes in other parts of your life would also mean potentially useful changes. 30 grams of protein within 30 minutes of waking up had a big impact on my weight loss. Meditating before your day gets going or journaling at the end of the day could lead to more positive changes in your outlook and getting more done.
What small change could you incorporate on a daily basis that would move you in the direction of your goals?
Jump to minute 19:00 of the video below to hear Mason Currey talking about his book ‘Daily Rituals’
What do you think of when you see or hear the phrase ‘visual story-telling’? My mind immediately goes to the classic Life magazine photo-essays such as Eugene Smith’s ‘The Country Doctor‘, or the kind of article you might see in the National Geographic the Smithsonian magazine or my new favorite magazine Orion.
My reaction has also been that I don’t see the world this way, that I’m not trying to tell a story but look for things that resonate with me. That there’s no story here. In part that’s true but stories are all around us, whether we realize it or not. Any time there is a gap in our understanding we tell ourselves a story to explain it. Any time someone does something we like we tell ourselves a story. Any time someone does something that we don’t like we tell ourselves a story. The photographs that we choose to take do tell a story, whether that’s our intention or not. They tell people how we see the world.
The more we understand our own story the better placed we are to tell it to the world and the stronger this understanding the more likely that your work will be unique. My question for you then is ‘What’s your story?’
I’ve been reading Ann Lamott’s guide to writing called ‘Bird by Bird’ over the last few days. It’s an enjoyable read and like Stephen King’s book ‘On Writing’ has much food for thought for photographers.
One section describes an approach to getting unstuck that involves writing a letter that describes part of your character’s history, or part of your history. I wonder how many times you’ve tried telling your story or the story of some significant event through photography when you’ve been stuck. I know that I never have but it seems like something that’s well worth doing.
Some great examples of the use of photography for storytelling can be found on a new website called ‘Rear Curtain’. The team managing the Rear Curtain site is looking for submissions found out more here.